Stages and Playgoers: From Guild Plays to ShakespeareMcGill-Queen's Press - MQUP, 2002 - 241 oldal The tradition of direct address has little to do with the frequently touted notion of the "fluidity of the Renaissance stage": the point is not that stage characters can talk to the audience but that they actually do reach out to the playgoers and in so doing import aspects of the audience world to the stage. These exchanges appear frequently in late-medieval drama and continue to be crucial stage strategies for Shakespeare, in whose work they grow and change. By examining a native dramatic tradition not fully explored before, Hill proposes new ways to imagine historical and contemporary performances. Stages and Playgoers will be invaluable for students of cultural studies, medieval and Renaissance studies, theatre history, and stagecraft. |
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. oldal
... contemporary performances . Stages and Playgoers will be invaluable for students of cultural stud- ies , medieval and Renaissance studies , theatre history , and stagecraft . JANET HILL is assistant professor in the Department of ...
... contemporary performances . Stages and Playgoers will be invaluable for students of cultural stud- ies , medieval and Renaissance studies , theatre history , and stagecraft . JANET HILL is assistant professor in the Department of ...
4. oldal
... contemporary , local world . Here I return to my term : When playgoers are openly addressed , when their reality is made an integral part of the play , as in The Killing of Abel , then what I call " open address " is taking place . This ...
... contemporary , local world . Here I return to my term : When playgoers are openly addressed , when their reality is made an integral part of the play , as in The Killing of Abel , then what I call " open address " is taking place . This ...
6. oldal
... contemporary performances of medieval plays teach us a great deal about ourselves as audiences and players , but what we learn from them about medieval practices and responses is much more problematic . In chapter 1 , I examine the ...
... contemporary performances of medieval plays teach us a great deal about ourselves as audiences and players , but what we learn from them about medieval practices and responses is much more problematic . In chapter 1 , I examine the ...
9. oldal
... contemporary attitudes to early dramatic production . I have used REED research extensively . However , because more historical data remain to be dis- covered , and much remains to be learned about how to interpret what has already been ...
... contemporary attitudes to early dramatic production . I have used REED research extensively . However , because more historical data remain to be dis- covered , and much remains to be learned about how to interpret what has already been ...
16. oldal
Sajnáljuk, az oldal tartalma korlátozott hozzáférésű..
Sajnáljuk, az oldal tartalma korlátozott hozzáférésű..
Tartalomjegyzék
Oure Play | 15 |
Nonce Plays | 76 |
I Know You All | 109 |
Open Address in the Romances | 161 |
Notes | 185 |
221 | |
235 | |
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