The Imaginal Reaction to Poetry: The Affective and the Aesthetic Judgment

aesthetic fragments aesthetic judgment aesthetic reaction aesthetic scale aesthetic series affective judgment affective series affective value appeared aroused directly arrangement auditory content auditory imagery auditory images auditory quality Average M. V. Position background basis Blake Cent color concrete auditory cutaneous images definite determine emotional felt form of imagery frag fragments read aloud frequently gustation Gustatory heard imagery aroused images aroused imaginal reactions individual differences inner speech Keats kinaesthetic imagery kinaesthetic reactions light material mean variation ments Miss Martin motor movement number of fragments number of images odor olfactory imagery olfactory images onomatopoetic optical optical-kinaesthetic organic reaction particular phrase picture pleasant fragments poets posture present test Reaction to Poetry reagents repetition reported rhythm Shelley shows sound subjects Successful Suggestions sweet synaesthetic TABLE tactual tone total number Trial UNIVERSITY OF WYOMING unpleasant fragments Utilized for fragments visual imagery visual images visual reading Visual self-projection vivid vocal-motor wind words Wyoming