A History of English Literature: i.e. v. 2 1700-1832Naouka i Izkoustvo, 1970 |
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1 - 3 találat összesen 63 találatból.
88. oldal
... emotion is spared us , for it is in the exploitation of the emotions roused by his dramatic conflicts that Richardson's power lies . And here these emotion- al effects have been much increased by the more complex texture of the novel ...
... emotion is spared us , for it is in the exploitation of the emotions roused by his dramatic conflicts that Richardson's power lies . And here these emotion- al effects have been much increased by the more complex texture of the novel ...
180. oldal
... emotions of the Emilies and Julias whose tales are told , and the volcanic passions of the villains who pursue them . But if these emotions are important in themselves , and not merely the con- comitants of a moral message , then the ...
... emotions of the Emilies and Julias whose tales are told , and the volcanic passions of the villains who pursue them . But if these emotions are important in themselves , and not merely the con- comitants of a moral message , then the ...
295. oldal
... emotion is described directly , not evoked or suggested in the ro mantic fashion , nor even reinforced by parallel themes or images . What there is of imagery is entirely conventional and ... emotions had become second nature to 295.
... emotion is described directly , not evoked or suggested in the ro mantic fashion , nor even reinforced by parallel themes or images . What there is of imagery is entirely conventional and ... emotions had become second nature to 295.
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achieved actually admiration already appeared ballad Baroque beauty blank verse Byron character Childe Harold classical clouds Coleridge Coleridge's colour comedy completely contrast criticism death Defoe effect emotions Endymion England English fact feel give heart hero heroic couplet idea ideal imagination imitation inspired Jane Austen Keats Keats's Kubla Khan language later least less literary living lyrical Lyrical Ballads marriage melody Milton mind mood moral nature Nether Stowey never novel o'er Ossian pantheism passion picture play poem poet poetic poetry political Pope probably prose PROSE POETRY Richardson romantic romanticism satire scarcely scene Scott seems sense sentimental Shelley Shelley's song sort soul Spenserian stanzas spirit spite stanza story style suggested Swift symbol tale theme things thou thought tion Tom Jones tradition tragedy verse vision Whig whole words Wordsworth written young английската литература История на английската