Voices Made Flesh: Performing Women's AutobiographyLynn C. Miller, Jacqueline Taylor, M. Heather Carver University of Wisconsin Press, 2003 - 322 oldal This volume includes scripts and essays about performances of the lives of women such as Gertrude Stein, Georgia O'Keeffe and Anais Nin, which consider issues that arise when a woman represents another woman's life. In the second section, seven performers tell their own stories, engaging issues of sexual orientation, ethnicity, race, loss of parent, disability, life and death. autobiographical performance. It examines the links between theory and criticism of women's autobiography, feminist performance theory and performance practice. |
Részletek a könyvből
1 - 3 találat összesen 22 találatból.
122. oldal
... lights fade , CATHERINE Softly talks on phone . ) CATHERINE : Knock , knock . Hi , Dad . It's the snail . The show's ... light fades . ) Notes 1. O'Keeffe to John I. H. Baur , 8 May 1957 , Estate of Georgia O'Keeffe and Whit- ney Museum ...
... lights fade , CATHERINE Softly talks on phone . ) CATHERINE : Knock , knock . Hi , Dad . It's the snail . The show's ... light fades . ) Notes 1. O'Keeffe to John I. H. Baur , 8 May 1957 , Estate of Georgia O'Keeffe and Whit- ney Museum ...
222. oldal
... lights go out . She [ narrator - performer ] walks to down center and introduces the performance . ) SHE : I am delighted ... light on the house please ? ( House lights come up . ) Thanks . ( To audience . ) Sorry , I like to see who I'm ...
... lights go out . She [ narrator - performer ] walks to down center and introduces the performance . ) SHE : I am delighted ... light on the house please ? ( House lights come up . ) Thanks . ( To audience . ) Sorry , I like to see who I'm ...
286. oldal
... light shifts from area to area , signaling a new per- sona's introduction . The center space is always used for the autoethnographic segments . The house lights dim and the center spot becomes brighter as I enter the stage from the ...
... light shifts from area to area , signaling a new per- sona's introduction . The center space is always used for the autoethnographic segments . The house lights dim and the center spot becomes brighter as I enter the stage from the ...
Tartalomjegyzék
Exploring Womens Autobiography | 15 |
A Critical Autobiography | 33 |
Gertrude Stein Never Enough | 47 |
Copyright | |
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academy African American Alfred Stieglitz Anaïs Anaïs Nin Anna Deavere Smith artist audience autobiographical performance autobiography autoethnography Aweusi body breast cancer Calamity Jane Catherine Rogers chair CHARLOTTE Charlotte Cushman color Communication context cultural Cushman dance daughter death edited Emma essays experience female feminism feminist formance friends gender Georgia O'Keeffe Gertrude Stein girl Hatty identity Jones Joni knew lesbian Linda look mance Martin Mary Mary Church Terrell Mary Martin mentoring Miller Montano mother music stand Nancy Sikes National never Nin's painted Park-Fuller Performance Quarterly Personal Narratives Pineau play political role sexual sista docta Skins Slide speak stage Stieglitz talk Tami tape Tattoo Stories tell Terrell Texas Text and Performance theatre theory things thought Toklas turn University Press upstage voice woman women women's autobiographical women's lives writing York