Voices Made Flesh: Performing Women's AutobiographyLynn C. Miller, Jacqueline Taylor, M. Heather Carver University of Wisconsin Press, 2003 - 322 oldal This volume includes scripts and essays about performances of the lives of women such as Gertrude Stein, Georgia O'Keeffe and Anais Nin, which consider issues that arise when a woman represents another woman's life. In the second section, seven performers tell their own stories, engaging issues of sexual orientation, ethnicity, race, loss of parent, disability, life and death. autobiographical performance. It examines the links between theory and criticism of women's autobiography, feminist performance theory and performance practice. |
Részletek a könyvből
1 - 3 találat összesen 7 találatból.
9. oldal
... the last time . Embattled but triumphant , Cush- man engages her audience as she spars with her longtime partner , Emma Stebbins , and performs her famous rendition of Nancy Sikes Miller and Taylor Editors ' Introduction 9.
... the last time . Embattled but triumphant , Cush- man engages her audience as she spars with her longtime partner , Emma Stebbins , and performs her famous rendition of Nancy Sikes Miller and Taylor Editors ' Introduction 9.
128. oldal
... Nancy Sikes . Well , in my day , no actress with any kind of reputation would touch a role like that , and Stephen Price knew it . So , naturally , he assigned it to me . If I took the part , I would be professionally ruined , and if I ...
... Nancy Sikes . Well , in my day , no actress with any kind of reputation would touch a role like that , and Stephen Price knew it . So , naturally , he assigned it to me . If I took the part , I would be professionally ruined , and if I ...
157. oldal
... Nancy Sikes from Oliver Twist but also enacts it for our confirmation of her power to transcend petty limita- tions.10 No wonder Cherry herself , surrounded as she is by " competing allegiances , ” her “ body . . . a crossroads ...
... Nancy Sikes from Oliver Twist but also enacts it for our confirmation of her power to transcend petty limita- tions.10 No wonder Cherry herself , surrounded as she is by " competing allegiances , ” her “ body . . . a crossroads ...
Tartalomjegyzék
Exploring Womens Autobiography | 15 |
A Critical Autobiography | 33 |
Gertrude Stein Never Enough | 47 |
Copyright | |
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academy African American Alfred Stieglitz Anaïs Anaïs Nin Anna Deavere Smith artist audience autobiographical performance autobiography autoethnography Aweusi body breast cancer Calamity Jane Catherine Rogers chair CHARLOTTE Charlotte Cushman color Communication context cultural Cushman dance daughter death edited Emma essays experience female feminism feminist formance friends gender Georgia O'Keeffe Gertrude Stein girl Hatty identity Jones Joni knew lesbian Linda look mance Martin Mary Mary Church Terrell Mary Martin mentoring Miller Montano mother music stand Nancy Sikes National never Nin's painted Park-Fuller Performance Quarterly Personal Narratives Pineau play political role sexual sista docta Skins Slide speak stage Stieglitz talk Tami tape Tattoo Stories tell Terrell Texas Text and Performance theatre theory things thought Toklas turn University Press upstage voice woman women women's autobiographical women's lives writing York