Abruptness of transition, 305. Absolute beautiful, 411.
Abstract put for concrete, 128. Accent in English, 263. Accentuated metres, 582. Accumulation, 149.
Accumulative invention, 319.
[The figures denote sections.]
Aims of composition, to instruct, 313; to con- vince, 314; to persuade, 315; to please, 316; union of different aims, 317. Aitiologia, 523.
Allegory, 112.
Allison, vocabulary of, 13.
Alliteration, a figure of, 186; in versification, 579.
Allusion, 118; historical, 119; literary, 120; distinguished from quotation, 121; in il- lustrative style, 249. Amatory songs, 599. Ambition, 467.
American humor, 435. American oratory, 555.
American Taxation, speech by Burke on, status of, 329; generalization of, 383;* argument from experience against, 372; transition in speech on, 378. Americanisms, 41. Ames Fisher, quoted, 164. Amphibrach, 592.
Amplification-one of the augumentative fig- ures, 144; defined, 145; by dwelling on details, 146; by direct statement, 147; by comparison, 148; by accumulation, 149; collectio, aggregatio, 150; synathroismus, 151; diasceue, 152; synezeugmenon, 153; epexergasia, 154; dinumeratio, 155; de- scription, 156; ecloge, 157; hypotyposis, 158; metastasis, 159; in argument, 379. Anacœnosis, 511.
Anacoluthon, 211. Anadiplosis, 180.
Analepsis, 219.
Anecdotes, a source of allusion, 120; used in illustrative style, 251. Anglo-Saxon words conducive to simplicity, 12; percentage of, in different authors, 13; the essential element in the English lan- guage, 14; predominates in the most pop- ular books, 15; power of compounding words, 45; excess of metaphors in poetry, 108; excess of epithets, 140; alliterative verse in, 186.
Animation of style, 239.
Annals, order of thought in, 343. Annominatio, 123.
Answers to objections in oratory, 524. Antanaclasis, 123, 451.
experience, 372; from analogy, 373; from contrast, 374; application of the different kinds of, 375; presentation of, 376-392.
Aristophanes, parody by, 444; satirical poet- ry of, 445.
Aristotle, definition of rhetoric by, 1; classi- fication of oratory by, 499.
Arrangement of words in a sentence, general rule for the, 50; limitations of rule for, 51; for purposes of harmony, 274. Ars Poetica, Horace's, 313.
Art, a source of new words, 41; terms of, transferred to poetry, 308; in description, 490; in classification of knowledge, 497. Arthurian epopœia, 324.
Antecedent and consequent, incongruity in, Artifices of oratory, definition of, 526; ex-
Anterresis, 524.
Anthypophora, 525.
Anticipation of objections in oratory, 525. Anticlimax, 168.
Antimeria, 123. Antimetabole, 79.
Antistrophe, 178, 596. Antithesis-definition of, 74; utility of, 75; effectiveness of, 76; compared with plain statement, 77; various forms of, 78; anti- metabole, 79; paradiastole, 80; synce- ceosis or enantiosis, 81; oxymoron, 82; parison, isocolon, 83; prosapodosis, 84. Antonomasia, 128.
Apollonius of Tyana, quoted, 212, 529. Apology of Socrates, 311.
Apophthegm, 76, 224, 389. Aporia, 527.
Aposiopesis, 212.
pression of doubt or ignorance, 527; in- tentional omission of words, 528; withdraw- al of expression, 529; apparent intent, 530; supposed case, 531; other forms, 532. Asiatic oratory, 4.
Assertion, for emphasis, 170; for strengthen- ing argument, 387, 487.
Associative theory of the beautiful, 410. Assonant rhymes, 594.
Asyndeton, 216; compared with polysyn- deton, 217.
Attack, in oratory, 534; personal, 535; in- cidental reference, 536; side thrust, 537; defence turned into attack, 541; testi- mony of adversary turned against himself,
Bacon, style of, 4; Pope on, 19; Landor on, 20; on new words, 39; conciseness of, 58; quoted, 75, 77, 83, 224; epigrammatic style of, 253; persuasion of, 315. Badinage, 449.
Baldness in style, 246, 305. Ballad, simplicity in, 10; quaintness in, 258; pathetic, 481; definition of, 598. Banter, 449. Barbarism, 39.
Baron Munchausen, satire of, 446. Barrow, Dr. Isaac, quoted, 203, 433. Bathos, 246.
Batrachomyomachia, 437. Beattie, quoted, 105. Beautiful, theories concerning the, 410; defi- nition of, 411; taste, 412; in nature, 413; color, 414; form, 415; motion, 416; sound, 417; proportion, 418; variety, 419; de- sign, 420; in morals, 421; in literature, 422; difference between ancient and mod- ern idea of, 423.
Beauty, power of, 467.
Beckford, description by, 490.
Bedford, Burke's letter to Duke of, 19. Belles-lettres, 292; analogous to painting, 292; to music, 293.
Bentley, quoted, 443. Beranger, quoted, 249. Berkeley, aim of, 314.
Bias, on part of writer, 315; status, 328. Bible, vocabulary of, 13; source of figurative language, 110; source of allusion, 120. See Scriptures.
Biography, conclusion in, 403; narrative in, 494.
Bismarck, quoted, 139, 227.
Black, William, description by, 490. Blackwood's Magazine, 323.
Blair, vocabulary of, 13.
Blame, 473.
Blank verse, 595.
Bleak House, Dickens's, 231; illustrative ar-
gument in, 370.
Boccaccio, 10.
Boileau, quoted, 428.
Bolingbroke, quoted, 59, 245.
Bonar, Horatio, quoted, 584.
Bon Gualtier, burlesque by, 437.
Book of Common Prayer, vocabulary of, 13; effect on English language, 34; quoted, 185.
Boswell, life of Johnson by, 317.
Brevity, in style, 58; in exordium, 396; in wit, 433.
Bride of Lammermoor, vocabulary of, 13. Brilliancy, 243.
Bristol Election, Burke's speech on, example of narrative and expository subject-matter, 311.
Brougham, Lord, vocabulary of, 13; quoted, 89, 148, 161, 180, 185, 264, 306, 485, 486, 487, 506; status of, 329; description by, 385 on Greek oratory, 546; sarcasm of, 550; physical disadvantages as an orator,
Browne, Sir Thomas, quoted, 58, 75, 224; epigrammatic style of, 253; criticised by De Quincey, 299; persuasion of, 315. Browning, Mrs., vocabulary of, 13; imita-
Burke, vocabulary of, 13; Latin style of, 15; quoted, 19, 20, 81, 82, 88, 94, 109, 120, 132, 141, 146, 149, 163, 171, 183, 227, 245, 254, 256, 269, 270, 273, 276, 277, 309, 380, 381, 383, 384, 385, 389, 405, 519, 527, 531, 547; conciseness of, 58; anaphora, 176; sug- gestive style of, 257; affluence of, 258; per- suasion of, 315; invention of, 319; status of, 329; attention to method by, 339; order of thought in, 350; definition of, 362; causa- tive argument of, 369; comprehensiveness of, 382; exordium of, 396; amplification of, 379; panegyric of, 548; command of sub- ject by, 552; love of imagery by, 555; faults of, as an orator, 556, 557; physical disadvantages of, as an orator, 559; in- tellectual qualities, 561. Burlesque, 437, 366.
Burns, Robert, simplicity of, 10; quoted, 186, 595; effect of his poetry on feelings, 317; pathetic, 482.
"But" repeated too frequently, 264. Butler, Bishop, vocabulary of, 13; style of, 235.
Byrom, Dr., quoted, 439, 485, 488. Byron, Lord, vocabulary of, 13; quoted, 19, 20, 25, 35, 92, 117, 120, 131, 132, 137, 166, 174, 178, 180, 183, 186, 197, 206, 219, 227, 233, 236, 245, 260, 295, 317, 422, 462, 584; epithets of, 140; mannerism of, 269; sub- limity of, 430; lampoon of, 442; pathetic, 482; description by, 490; subjective de- scription by, 491; compared with Scott, 492; subjective narration of, 495.
Cadmon, quoted, 430. Cæsural pause, 593.
Calhoun, J. C., quoted, 508, 522, 524. Campbell, Dr., vocabulary of, 13; vivacity defined by, 64, 238.
200; affluent style of, 258, 264; aim of, 315; status of, 327; analysis of second oration against Catiline, 339; exordium of, 396; introduction of, 398; quoted by Quin- tilian, 532; panegyric of, 548; physical ad- vantages of, as an orator, 559; courage of, 560.
Circumlocution, 29; compared with peri- phrasis, 132.
Circumstantial evidence, 370. Cities, epithets applied to, 139. Clarendon, quoted, 50, 53, 54; faults of, 55, 56; affluent style of, 59; aim of, 317; bias of, 328.
Classical style, 256; school in literature,
Classification, defined, 333; of narrative, 334; of description, 335; of grouping, 336; in exposition, 337; analysis and synthesis of, 338; general and particular propositions, 339; incongruity in, 432.
Clauses, improper position of, 50; appended, 54; variety in, 282; co-ordination of, 283. Clay, Henry, quoted, 485, 515, 517. Clearness, of conception necessary to pre- cision, 22; in method, 57; in arguments, 377.
Climax, defined, 160; incrementum with, 161; progressio with, 162. Close of sentence, 284.
Character, in fiction, 323; compared with Cobden, quoted, 524.
plot, 353; in introduction, 394, 395. Charles the Fifth, opinion of, on languages,
Chatham, Earl of, vocabulary of, 13; quoted, 88, 91, 172, 174, 185, 235, 405, 473, 486, 488, 511, 524, 534; status of, 329; order of thought in, 340; exordium of, 396; sar- casm of, 550; physical advantages of, as an orator, 559; courage of, 560; intellectual qualities of, 561.
Chaucer, vocabulary of, 13; House of Fame by, 112; style of, 258; aim of, 316; in- vention of, 324; pathetic, 482.
Coleridge, S. T., quoted, 115, 191, 297; sub- jective narrative by, 495. Colin Clout, a satire, 445. Collectio, 150.
Collins, quoted, 79, 115, 189, 191, 295, 591; epithets of, 140. Colloquialisms, 270. Colonizing movements, a source of new words, 41.
Color, a source of beauty, 414. Comedy, conclusion in, 404; defined, 566. Command, 485.
Command of subject in oratory, 552; of language, 561. Commentum, 205. Commoratio, 515.
Comparison, 93; of degree, 94; of analogy, 95; of similarity, 96; for ornament, 97; for explanation and illustration, 98; faults in, 99; in illustrative style, 250; incon- gruity in, 432.
Complex sentence, 52. Compliment, in oratory, 506.
Composition in English and other languages,
Compound sentences, 52.
Compound words, 45; faults in use of, 46. Comprehensiveness, 382.
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