The Making of Theatre HistoryPAUL KURITZ, 1988 - 468 oldal |
Részletek a könyvből
1 - 5 találat összesen 79 találatból.
. oldal
... Early Civilization 6 Magic and Movement 7 The Characteristics of Dramatic Theatre The Specialization of Civilization The Rarity of Native Dramatic Theatre Notes 14 11 11 13 Dance and Theatre 8 2 THE CLASSICAL THEATRE 15 GREECE 15 ...
... Early Civilization 6 Magic and Movement 7 The Characteristics of Dramatic Theatre The Specialization of Civilization The Rarity of Native Dramatic Theatre Notes 14 11 11 13 Dance and Theatre 8 2 THE CLASSICAL THEATRE 15 GREECE 15 ...
. oldal
... Early Written Drama 41 Festivals 42 40 Theatrical Organization and Management Players 44 Music and Dramatic Performance 45 Theatrical Dance 46 Costume and Mask 46 Social Status of the Actor 47 Performance Space 47 The Theatre at Pompeii ...
... Early Written Drama 41 Festivals 42 40 Theatrical Organization and Management Players 44 Music and Dramatic Performance 45 Theatrical Dance 46 Costume and Mask 46 Social Status of the Actor 47 Performance Space 47 The Theatre at Pompeii ...
. oldal
... Early Performance 86 86 88 89 Yuan Drama Ming Theatre Revolution and the Drama Players 90 89 Acting in the Beijing Opera 91 Beijing Opera Roles 91 Music and Dance 91 Kabuki and the Middle Class 100 The End of Isolationism 101 Society on ...
... Early Performance 86 86 88 89 Yuan Drama Ming Theatre Revolution and the Drama Players 90 89 Acting in the Beijing Opera 91 Beijing Opera Roles 91 Music and Dance 91 Kabuki and the Middle Class 100 The End of Isolationism 101 Society on ...
3. oldal
Sajnáljuk, az oldal tartalma korlátozott hozzáférésű..
Sajnáljuk, az oldal tartalma korlátozott hozzáférésű..
Tartalomjegyzék
Magic and Ritual | 6 |
GREECE 15 | 17 |
The Cult of Dionysus and the Emergence | 19 |
Music and Dance | 25 |
The Atellan Farce | 41 |
Social Status of the Actor | 47 |
ROME 36 | 53 |
New Religions Rival the Old Theatre | 59 |
The Theatrical Revolution | 159 |
Serlio | 166 |
FRANCE | 197 |
Reason and Industry | 203 |
Social Revolution | 209 |
LOpéra | 215 |
Cavalier Culture | 239 |
Notes | 251 |
The Actors Technique | 66 |
Performance | 72 |
CHINA | 83 |
Society on Stage | 85 |
Acting in the Beijing Opera | 91 |
The Golden Age and a New Drama 99 | 115 |
Enduring NonChristian Rituals | 121 |
Tropes | 127 |
Drama in the Religious Controversy | 147 |
OVERVIEW | 153 |
Transcendental Aesthetics | 256 |
Dramatic Texts | 262 |
OVERVIEW 252 | 276 |
AMERICA | 284 |
ActorManagers | 299 |
OVERVIEW | 305 |
Photography | 311 |
FRANCE | 318 |
Problem Plays | 327 |
85 | 408 |
Gyakori szavak és kifejezések
acting action actors aesthetic American Antonin Artaud artists atre audience became began Beijing opera born bourgeois Brecht Buddhism century characters Charles Chinese Christian church classical Comédie Française comedy comic commedia dell'arte costume court created culture dance Daoism David Garrick developed dience Dionysus drama dramatic theatre Edmund Kean emotion England English entertainment epic festivals France French German Greek Henry hero human Ibsen ideal ideas Indian individuals Italian Japanese Jews John Philip Kemble kabuki King kyogen Lilly Library lived masks medieval ment modern theatre Molière moved nature neo-classical opera painted passion performance players plays playwright plot poet political popular Press produced realistic reality reigned religious Renaissance revolution Richard III ritual roles romantic romanticism Russian scene scenery Shakespeare social society space stage style symbols theatre's theatrical tion tragedy troupes truth ture University Western William women write wrote York zaju Zeami