Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, 28. kötetGale Research Company, 1984 |
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1 - 3 találat összesen 82 találatból.
141. oldal
... role as one of the Lords Appellant who had dominated Richard for a decade , that it was Bolingbroke who had led the military forces that defeated the King's army at Radcot Bridge , that he was party to Gloucester's conspir- acy , that ...
... role as one of the Lords Appellant who had dominated Richard for a decade , that it was Bolingbroke who had led the military forces that defeated the King's army at Radcot Bridge , that he was party to Gloucester's conspir- acy , that ...
224. oldal
... role for Hamlet to play . Whether or not Shakes- peare actually played the ghost , he locates the prospect of a meaningful identity in that role not taken : Hamlet's repeated gestures toward revenge and his reiterated aware- ness of his ...
... role for Hamlet to play . Whether or not Shakes- peare actually played the ghost , he locates the prospect of a meaningful identity in that role not taken : Hamlet's repeated gestures toward revenge and his reiterated aware- ness of his ...
435. oldal
... role - playing , hypocrisy , and dissimulation 8 : 145 , 148 , 154 , 159 , 162 , 165 , 168 , 170 , 182 , 190 , 206 , 213 , 218 , 228 , 239 , 243 , 252 , 258 , 267 ; 25 : 141 , 164 , 245 as a scourge or instrument of God 8 : 163 , 177 ...
... role - playing , hypocrisy , and dissimulation 8 : 145 , 148 , 154 , 159 , 162 , 165 , 168 , 170 , 182 , 190 , 206 , 213 , 218 , 228 , 239 , 243 , 252 , 258 , 267 ; 25 : 141 , 164 , 245 as a scourge or instrument of God 8 : 163 , 177 ...
Tartalomjegyzék
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
25 további fejezet nem látható
Gyakori szavak és kifejezések
action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York