Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, 28. kötetGale Research Company, 1984 |
Részletek a könyvből
1 - 3 találat összesen 16 találatból.
106. oldal
... reformation in a flood , With such a heady currance , scouring faults ; Nor never Hydra - headed wilfulness So soon did lose his seat - and all at once- As in this king . ( 1.1.32-37 ) The reappearance of " heady " in " Hydra - headed ...
... reformation in a flood , With such a heady currance , scouring faults ; Nor never Hydra - headed wilfulness So soon did lose his seat - and all at once- As in this king . ( 1.1.32-37 ) The reappearance of " heady " in " Hydra - headed ...
190. oldal
... Reformation England - quite aside from particular interpretations . " Doe all interpret ? " asks Oliver Ormerod in The Picture of a Puritane ( 1605 ) , his rhetorical ques- tion expressing the exasperation of Anglican divines caught ...
... Reformation England - quite aside from particular interpretations . " Doe all interpret ? " asks Oliver Ormerod in The Picture of a Puritane ( 1605 ) , his rhetorical ques- tion expressing the exasperation of Anglican divines caught ...
219. oldal
... Reformation ( Cambridge , Eng . , 1981 ) and Popular Culture and Popular Movements in Reformation Germany ( London , 1990 ) ; Michael Mul- lett , Popular Culture and Popular Protest in Late Medi- eval and Early Modern Europe ( London ...
... Reformation ( Cambridge , Eng . , 1981 ) and Popular Culture and Popular Movements in Reformation Germany ( London , 1990 ) ; Michael Mul- lett , Popular Culture and Popular Protest in Late Medi- eval and Early Modern Europe ( London ...
Tartalomjegyzék
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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Gyakori szavak és kifejezések
action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York