Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, 28. kötetGale Research Company, 1984 |
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1 - 3 találat összesen 59 találatból.
83. oldal
... person was not " duly appointed . " Aus- tin's concern is to show that there is no such thing as unconstrained intentionality , as he sees whatever power may arise from such utterances as institutionalizations of linguistic commitments ...
... person was not " duly appointed . " Aus- tin's concern is to show that there is no such thing as unconstrained intentionality , as he sees whatever power may arise from such utterances as institutionalizations of linguistic commitments ...
84. oldal
... person " to pro- nounce a culturally powerful speech act . In interpreting the erotic performance of Rosalind , I con- sider the ways in which acting can effect a cure , or , to put it another way , the extent to which performance ...
... person " to pro- nounce a culturally powerful speech act . In interpreting the erotic performance of Rosalind , I con- sider the ways in which acting can effect a cure , or , to put it another way , the extent to which performance ...
368. oldal
... person . As I will show in the remainder of this paper by turning - at long last - to the Sonnets themselves , this ... persons : ' Let those whom nature hath not made for store , Harsh featureless , and rude , barrenly perish ' ( 11 ) ...
... person . As I will show in the remainder of this paper by turning - at long last - to the Sonnets themselves , this ... persons : ' Let those whom nature hath not made for store , Harsh featureless , and rude , barrenly perish ' ( 11 ) ...
Tartalomjegyzék
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York