Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, 28. kötetGale Research Company, 1984 |
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1 - 3 találat összesen 79 találatból.
189. oldal
... offer , it is not so much a case of something new , of some utopian escape from the rhythms of institutional appropriation , as a serviceable reminder of unfinalizability , of how much there is always left to be done.12 Amid otherwise ...
... offer , it is not so much a case of something new , of some utopian escape from the rhythms of institutional appropriation , as a serviceable reminder of unfinalizability , of how much there is always left to be done.12 Amid otherwise ...
355. oldal
... offer a new account of Venus ' presentation in the poem . First it will be argued that the characterization of Venus ... offers him her love as a means for his achieving self- transformation . To be more specific , it will be argued that ...
... offer a new account of Venus ' presentation in the poem . First it will be argued that the characterization of Venus ... offers him her love as a means for his achieving self- transformation . To be more specific , it will be argued that ...
360. oldal
... offer of self - transformation that she makes to him ( lines 229-240 ) , an offer in which she ap- pears to envisage her own transformation . At once embracing and imprisoning Adonis in her arms , Venus tells him : " Within the circuit ...
... offer of self - transformation that she makes to him ( lines 229-240 ) , an offer in which she ap- pears to envisage her own transformation . At once embracing and imprisoning Adonis in her arms , Venus tells him : " Within the circuit ...
Tartalomjegyzék
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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Gyakori szavak és kifejezések
action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York