Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, 28. kötetGale Research Company, 1984 |
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1 - 3 találat összesen 63 találatból.
60. oldal
... Hero by mak- ing certain that she is her father's heir ; that his deception by the villains should be as rapid as his consequent re- pentance ; and that the girl he readily accepts at Leonato's hand as second bride should be ' Another Hero ...
... Hero by mak- ing certain that she is her father's heir ; that his deception by the villains should be as rapid as his consequent re- pentance ; and that the girl he readily accepts at Leonato's hand as second bride should be ' Another Hero ...
61. oldal
... Hero's cousin and Claudio's friend , they belong in their world , possessed by a social realism summed up in Beatrice's ' I can see a Church by daylight . ' Moreover , there is a real sense in which we are glad to see the cousins and ...
... Hero's cousin and Claudio's friend , they belong in their world , possessed by a social realism summed up in Beatrice's ' I can see a Church by daylight . ' Moreover , there is a real sense in which we are glad to see the cousins and ...
66. oldal
... Hero and Beatrice presumably register to each other and to the audience their reaction to the news , Beatrice in- quires , " I pray you , is Signior Mountanto return'd from the wars or no ? " ( 1.1.30-31 ) . Why Beatrice should iden ...
... Hero and Beatrice presumably register to each other and to the audience their reaction to the news , Beatrice in- quires , " I pray you , is Signior Mountanto return'd from the wars or no ? " ( 1.1.30-31 ) . Why Beatrice should iden ...
Tartalomjegyzék
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York