Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, 28. kötetGale Research Company, 1984 |
Részletek a könyvből
1 - 3 találat összesen 62 találatból.
87. oldal
... gender terms . Being either one gender or the other would leave one open to this threat , so the only solution - the only performance that can be apotropaic - is to remain both genders at once.18 Indeed , Rosalind / Ganymede is in many ...
... gender terms . Being either one gender or the other would leave one open to this threat , so the only solution - the only performance that can be apotropaic - is to remain both genders at once.18 Indeed , Rosalind / Ganymede is in many ...
91. oldal
... Gender , Property ( London : Methuen , 1987 ) , pp . 103-13 . 16 The story of Philomela provides an etiological myth ... gender undecidability associated with female loudness can be seen in The Roaring Girl by Middleton and Dekker ...
... Gender , Property ( London : Methuen , 1987 ) , pp . 103-13 . 16 The story of Philomela provides an etiological myth ... gender undecidability associated with female loudness can be seen in The Roaring Girl by Middleton and Dekker ...
367. oldal
... gender binaries appears . The hierarchy preserved in the one - sex model had also ap- plied in questions of grammatical agreement : male gender prevailed over female because it was the ' more worthy ' gender . In his popular rhetoric ...
... gender binaries appears . The hierarchy preserved in the one - sex model had also ap- plied in questions of grammatical agreement : male gender prevailed over female because it was the ' more worthy ' gender . In his popular rhetoric ...
Tartalomjegyzék
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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Gyakori szavak és kifejezések
action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York