Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, 28. kötetGale Research Company, 1984 |
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1 - 3 találat összesen 35 találatból.
20. oldal
... future . This same endlessly repeated past necessarily returns , and thus constitutes a prediction for the future , unless analysis makes sense of it , brings it into a new context , and in the process of the transference changes its ...
... future . This same endlessly repeated past necessarily returns , and thus constitutes a prediction for the future , unless analysis makes sense of it , brings it into a new context , and in the process of the transference changes its ...
21. oldal
... future anterior . Its object is to ascertain what will have been the case , what will have been the meanings , the regularities , the possibilities for change . " To be continued " is its modest undertaking , but its purpose is to ...
... future anterior . Its object is to ascertain what will have been the case , what will have been the meanings , the regularities , the possibilities for change . " To be continued " is its modest undertaking , but its purpose is to ...
340. oldal
... future that will have impressed Mac- beth's mind in three different ways , the last way , Lady Macbeth's way , being the final and dominant one . To ensure the ' promised ' hereafter , Lady Macbeth will ' feel now / The future in the ...
... future that will have impressed Mac- beth's mind in three different ways , the last way , Lady Macbeth's way , being the final and dominant one . To ensure the ' promised ' hereafter , Lady Macbeth will ' feel now / The future in the ...
Tartalomjegyzék
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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Gyakori szavak és kifejezések
action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York