Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, 28. kötetGale Research Company, 1984 |
Részletek a könyvből
1 - 3 találat összesen 27 találatból.
194. oldal
... evil is a self - generating discontent outside the fabula- perhaps , as Bacon hypothesizes , the product " of a nature disposed to disloyalty , " yet ultimately beyond human explanation : " But as it were a vain thing to think to search ...
... evil is a self - generating discontent outside the fabula- perhaps , as Bacon hypothesizes , the product " of a nature disposed to disloyalty , " yet ultimately beyond human explanation : " But as it were a vain thing to think to search ...
333. oldal
... evil for evil's sake . His final lines glorify his villainy : Even now I curse the day and yet I think , Few come within the compass of my curse- Wherein I did not some notorious ill . . . But I have done a thousand dreadful things , As ...
... evil for evil's sake . His final lines glorify his villainy : Even now I curse the day and yet I think , Few come within the compass of my curse- Wherein I did not some notorious ill . . . But I have done a thousand dreadful things , As ...
430. oldal
... evil or chaos 3 : 241 , 286 , 323 dagger scene ( Act III , scene i ) , staging of 20 : 406 evil , theme of 3 : 194 , 208 , 231 , 234 , 239 , 241 , 267 , 289 ; 20 : 203 , 206 , 210 , 374 free will and fate 3 : 177 , 183 , 184 , 190 , 196 ...
... evil or chaos 3 : 241 , 286 , 323 dagger scene ( Act III , scene i ) , staging of 20 : 406 evil , theme of 3 : 194 , 208 , 231 , 234 , 239 , 241 , 267 , 289 ; 20 : 203 , 206 , 210 , 374 free will and fate 3 : 177 , 183 , 184 , 190 , 196 ...
Tartalomjegyzék
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
25 további fejezet nem látható
Gyakori szavak és kifejezések
action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York