Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, 28. kötetGale Research Company, 1984 |
Részletek a könyvből
1 - 3 találat összesen 82 találatból.
9. oldal
... characters en- ter ; or for self - evident purposes within a scene , as when a new character arrives to join others already there , or a key character departs ; or when two or more speakers address each other each clinging to his or her ...
... characters en- ter ; or for self - evident purposes within a scene , as when a new character arrives to join others already there , or a key character departs ; or when two or more speakers address each other each clinging to his or her ...
227. oldal
... characters can speak and act as self - determining subjects most fully then , when they play into convention . Weimann reads these and similar dramatic crossings as evidence that , by Shakespeare's time , the locus and platea had ...
... characters can speak and act as self - determining subjects most fully then , when they play into convention . Weimann reads these and similar dramatic crossings as evidence that , by Shakespeare's time , the locus and platea had ...
233. oldal
... characters who struggle to hide what is within , to subordinate a sense of self by keeping secrets , and who agitate to achieve authentic subject posi- tions . The frustrations suffered by Hamlet , incapacitated from articulating ' that ...
... characters who struggle to hide what is within , to subordinate a sense of self by keeping secrets , and who agitate to achieve authentic subject posi- tions . The frustrations suffered by Hamlet , incapacitated from articulating ' that ...
Tartalomjegyzék
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
25 további fejezet nem látható
Gyakori szavak és kifejezések
action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York