Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, 28. kötetGale Research Company, 1984 |
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1 - 3 találat összesen 72 találatból.
87. oldal
... actor nowhere to stand in gender terms . Being either one gender or the other would leave one open to this threat ... actor - the actor's body - as well as the gender of the character remain crucial determinants of this proxy self.11 ...
... actor nowhere to stand in gender terms . Being either one gender or the other would leave one open to this threat ... actor - the actor's body - as well as the gender of the character remain crucial determinants of this proxy self.11 ...
178. oldal
... actor given carte blanche to make his name with the role of a Shakespearean king . If he wanted to sport a recherché taste he might opt for Ferdi- nand , King of Navarre , in Love's Labour's Lost ; if he were a dare - devil he might go ...
... actor given carte blanche to make his name with the role of a Shakespearean king . If he wanted to sport a recherché taste he might opt for Ferdi- nand , King of Navarre , in Love's Labour's Lost ; if he were a dare - devil he might go ...
179. oldal
... actor , but it is less a question of the force with which he breaks the glass than of the degree of conscious theatricality in the action . You do not become an actor unless you enjoy people looking at you . To play Richard II is to ...
... actor , but it is less a question of the force with which he breaks the glass than of the degree of conscious theatricality in the action . You do not become an actor unless you enjoy people looking at you . To play Richard II is to ...
Tartalomjegyzék
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York