Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, 28. kötetGale Research Company, 1984 |
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1 - 3 találat összesen 6 találatból.
104. oldal
... Hal and his father attains a moment of trust appropriate to Hal's emergence as his father's son , but there is unfinished business here too . The actions in Part 2 that involve repetition - the second rebellion of the Percys , the ...
... Hal and his father attains a moment of trust appropriate to Hal's emergence as his father's son , but there is unfinished business here too . The actions in Part 2 that involve repetition - the second rebellion of the Percys , the ...
207. oldal
... Hal's expectations somewhat by identifying his recruits with Hal : both are " prodigals , " making Falstaff both corrupter and satanic redeemer . And Falstaff expects to exploit the coming reign of his prodigal Hal just as he does his ...
... Hal's expectations somewhat by identifying his recruits with Hal : both are " prodigals , " making Falstaff both corrupter and satanic redeemer . And Falstaff expects to exploit the coming reign of his prodigal Hal just as he does his ...
213. oldal
... Hal to point this out . So whereas Falstaff's soldier " rascals " ( lean young deer ) become food for powder , Hal's response likens Falstaff to a side of meat : his " unless you call three fingers in the ribs bare " ( 4.2.73-74 ) ...
... Hal to point this out . So whereas Falstaff's soldier " rascals " ( lean young deer ) become food for powder , Hal's response likens Falstaff to a side of meat : his " unless you call three fingers in the ribs bare " ( 4.2.73-74 ) ...
Tartalomjegyzék
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York