Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, 28. kötetGale Research Company, 1984 |
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1 - 3 találat összesen 55 találatból.
75. oldal
... Falstaff exits by kissing Mis- tress Ford . Shallow allows Falstaff to become an uncon- trollable threat to Windsor's peace . In so doing , the ungen- tlemanly justice also allows the knight to propel Ford into becoming yet one more ...
... Falstaff exits by kissing Mis- tress Ford . Shallow allows Falstaff to become an uncon- trollable threat to Windsor's peace . In so doing , the ungen- tlemanly justice also allows the knight to propel Ford into becoming yet one more ...
207. oldal
... Falstaff's particularly clever ruse . That ruse turns out to embody the subversion of fellowship , but is nevertheless filled with festive meaning , and appeals to what Thomas Cartelli calls playgoers ' " transgressive desire , " a ...
... Falstaff's particularly clever ruse . That ruse turns out to embody the subversion of fellowship , but is nevertheless filled with festive meaning , and appeals to what Thomas Cartelli calls playgoers ' " transgressive desire , " a ...
213. oldal
... Falstaff will gaily accept his own death and affirm the pleasures of life meanwhile . Will Falstaff's recruits get the pleasure of divine vengeance on Falstaff ? The party will go on here below nevertheless . Falstaff appropriates ...
... Falstaff will gaily accept his own death and affirm the pleasures of life meanwhile . Will Falstaff's recruits get the pleasure of divine vengeance on Falstaff ? The party will go on here below nevertheless . Falstaff appropriates ...
Tartalomjegyzék
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York