Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, 28. kötetGale Research Company, 1984 |
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1 - 3 találat összesen 33 találatból.
122. oldal
... Edward III and Edward the Black Prince , conquered France ; it is from them that Henry should take his inspiration . Though no one in the play will ever again discuss Salic law , several speakers will return to this backward - looking ...
... Edward III and Edward the Black Prince , conquered France ; it is from them that Henry should take his inspiration . Though no one in the play will ever again discuss Salic law , several speakers will return to this backward - looking ...
131. oldal
... Edward III's mother Isabel is prominently named . In re- sponse to Edward's question about whether his " pedi- gree " grants him the succession to the French throne , Robert of Artois makes the matter crystal clear : Edward . Who next ...
... Edward III's mother Isabel is prominently named . In re- sponse to Edward's question about whether his " pedi- gree " grants him the succession to the French throne , Robert of Artois makes the matter crystal clear : Edward . Who next ...
191. oldal
... Edward III is called " noble " and " victorious " in the open- ing sentence of a work that instances the fortunate depos- ing of his father as the culminating example in the Arch- bishop of Canterbury's attempts to " cleare this action ...
... Edward III is called " noble " and " victorious " in the open- ing sentence of a work that instances the fortunate depos- ing of his father as the culminating example in the Arch- bishop of Canterbury's attempts to " cleare this action ...
Tartalomjegyzék
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York