Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, 28. kötetGale Research Company, 1984 |
Részletek a könyvből
1 - 3 találat összesen 43 találatból.
43. oldal
... Duke to fall into disuse . It is revived by Angelo and applied with rigour , though against the better judgement of Escalus and the Provost . It remains a threat against Angelo in the final act , although the Duke's main argument for ...
... Duke to fall into disuse . It is revived by Angelo and applied with rigour , though against the better judgement of Escalus and the Provost . It remains a threat against Angelo in the final act , although the Duke's main argument for ...
96. oldal
... Duke Vincentio and Isabella can be imagined to engage in , as bridegroom and bride , in the performance of their nuptials . 3 But by what warrant do we assume that the marriage of Duke Vincentio and Isabella will ever take place ...
... Duke Vincentio and Isabella can be imagined to engage in , as bridegroom and bride , in the performance of their nuptials . 3 But by what warrant do we assume that the marriage of Duke Vincentio and Isabella will ever take place ...
266. oldal
... Duke ( like Pandion ) actively complies with a forbid- den marriage out of an overriding sense of obligation to ( and reliance on ) the barbarous defender ; thereby con- firming the predictions of Iago ( ' the state ... Cannot with ...
... Duke ( like Pandion ) actively complies with a forbid- den marriage out of an overriding sense of obligation to ( and reliance on ) the barbarous defender ; thereby con- firming the predictions of Iago ( ' the state ... Cannot with ...
Tartalomjegyzék
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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Gyakori szavak és kifejezések
action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York