Voices Made Flesh: Performing Women's AutobiographyLynn C. Miller, Jacqueline Taylor, M. Heather Carver University of Wisconsin Press, 2003 - 322 oldal This volume includes scripts and essays about performances of the lives of women such as Gertrude Stein, Georgia O'Keeffe and Anais Nin, which consider issues that arise when a woman represents another woman's life. In the second section, seven performers tell their own stories, engaging issues of sexual orientation, ethnicity, race, loss of parent, disability, life and death. autobiographical performance. It examines the links between theory and criticism of women's autobiography, feminist performance theory and performance practice. |
Részletek a könyvből
1 - 3 találat összesen 85 találatból.
27. oldal
... audience members may delight in a performance that focuses on a woman's experience but ignore any wider social or cultural critique of the patriarchical system that continues to suppress women's auto / biographical performances . The ...
... audience members may delight in a performance that focuses on a woman's experience but ignore any wider social or cultural critique of the patriarchical system that continues to suppress women's auto / biographical performances . The ...
51. oldal
... audience , lies in creating a believ- able context for addressing an audience . Clarifying the context allows the audience to firmly have an identity in relation to the speaker . In this de- tail , my task was simplified by the events ...
... audience , lies in creating a believ- able context for addressing an audience . Clarifying the context allows the audience to firmly have an identity in relation to the speaker . In this de- tail , my task was simplified by the events ...
81. oldal
... audience to see and understand her resistance to the dominant cultural ideology of the black woman's de- valued status . I wanted the audience to see her body as the site for the di- alogue on difference , for Terrell's positionality ...
... audience to see and understand her resistance to the dominant cultural ideology of the black woman's de- valued status . I wanted the audience to see her body as the site for the di- alogue on difference , for Terrell's positionality ...
Tartalomjegyzék
Exploring Womens Autobiography | 15 |
A Critical Autobiography | 33 |
Gertrude Stein Never Enough | 47 |
Copyright | |
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academy African American Alfred Stieglitz Anaïs Anaïs Nin Anna Deavere Smith artist audience autobiographical performance autobiography autoethnography Aweusi body breast cancer Calamity Jane Catherine Rogers chair CHARLOTTE Charlotte Cushman color Communication context cultural Cushman dance daughter death edited Emma essays experience female feminism feminist formance friends gender Georgia O'Keeffe Gertrude Stein girl Hatty identity Jones Joni knew lesbian Linda look mance Martin Mary Mary Church Terrell Mary Martin mentoring Miller Montano mother music stand Nancy Sikes National never Nin's painted Park-Fuller Performance Quarterly Personal Narratives Pineau play political role sexual sista docta Skins Slide speak stage Stieglitz talk Tami tape Tattoo Stories tell Terrell Texas Text and Performance theatre theory things thought Toklas turn University Press upstage voice woman women women's autobiographical women's lives writing York