Rilke, Modernism and Poetic TraditionCambridge University Press, 1999. nov. 25. - 256 oldal If the rise of modernism is the story of a struggle between the burden of tradition and a desire to break free of it, then Rilke's poetic development is a key example of this tension at work. Taking a sceptical view of Rilke's own myth of himself as a solitary genius, Judith Ryan reveals how deeply his writing is embedded in the culture of its day. She traces his often desperate attempts to grapple with problems of fashion, influence and originality as he shaped his career during the crucial decades in which modernism was born. This 1999 book was the first systematic study of Rilke's trajectory from aestheticism to modernism as seen through the lens of his engagement with poetic tradition and the visual arts. It is full of surprising discoveries about individual poems. Above all, it shifts the terms of the debate about Rilke's place in modern literary history. |
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7. oldal
... create , as it were , his own by - line . Under the influence of Rodin , he consciously shifted from what Louis Menand has called the ' innocence of design ' affected by the Romantics and neo - Romantics to the cultivation of a ...
... create , as it were , his own by - line . Under the influence of Rodin , he consciously shifted from what Louis Menand has called the ' innocence of design ' affected by the Romantics and neo - Romantics to the cultivation of a ...
10. oldal
... created a new style for male children in the period around 1870. The appearance of ' die strenge Sanitäť ( stern public hygiene ) in Rilke's poem is not as far- fetched as it may seem . In the late nineteenth century , dress was ...
... created a new style for male children in the period around 1870. The appearance of ' die strenge Sanitäť ( stern public hygiene ) in Rilke's poem is not as far- fetched as it may seem . In the late nineteenth century , dress was ...
15. oldal
... created , in 1908 , a poetic version of Elizabeth Barrett Browning's Sonnets from the Portuguese ; in 1913 , he ... creates . The two main art centres at the turn of the century were Berlin and Paris . As a student of art history , Rilke ...
... created , in 1908 , a poetic version of Elizabeth Barrett Browning's Sonnets from the Portuguese ; in 1913 , he ... creates . The two main art centres at the turn of the century were Berlin and Paris . As a student of art history , Rilke ...
24. oldal
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Tartalomjegyzék
1 | |
6 | |
CHAPTER 2 Arts and crafts | 50 |
CHAPTER 3 Writing troubles | 98 |
CHAPTER 4 The modernist turn | 156 |
restorative modernism | 219 |
Notes | 228 |
Index of Rilkes works | 250 |
General index | 252 |
Más kiadások - Összes megtekintése
Gyakori szavak és kifejezések
acrobats aesthetic Algabal ancient angel Archaic Torso Baudelaire Baudelaire's beauty become beloved bird Book of Hours classical antiquity Cornet create creative cultural dead death depicted Duino Elegies early Egyptian Eichendorff's essay Fifth Elegy figure flamingos flowers German Gérôme's heart Hölderlin's human hydrangea idea imagery imagination Insel inspiration Judith Jugendstil Kassner kind landscape Leben Lesbos linked Lou Andreas-Salomé lovers Mallarmé's Malte Laurids Brigge Malte's Mausoleum metaphor mirror modern monument motif Narcissus nature notion novel object Orphic painting paradoxical Paris passage Phryne poem's poet poet's poetic poetry present Rainer Maria Rilke reader reworking Rilke's poem Rilke's sonnet Rodin Ruskin Second Elegy seems sense sexual smile song Sonnets to Orpheus Soul in Space speaker Spirit Ariel Stefan George Stones of Venice suggests Symbolist Tenth Elegy tercet tion Torso of Apollo tower tradition University Press Valéry Valéry's viewer visual voice writing young