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To friendship dead, though not untaught to feel
When Self and Church demand a bigot zeal.
With eager haste they court the lord of power,
Whether 'tis Pitt or Petty rules the hour; (1)
To him, with suppliant smiles, they bend the head,
While distant mitres to their eyes are spread.
But should a storm o'erwhelm him with disgrace,
They'd fly to seek the next who fill'd his place.
Such are the men who learning's treasures guard!
Such is their practice, such is their reward!
This much, at least, we may presume to say-
The premium can't exceed the price they pay.

TO A BEAUTIFUL QUAKER. SWEET girl! though only once we met, That meeting I shall ne'er forget; And though we ne'er may meet again, Remembrance will thy form retain. I would not say, "I love," but still My senses struggle with my will: In vain, to drive thee from my breast, My thoughts are more and more represt; In vain I check the rising sighs, Another to the last replies: Perhaps this is not love, but yet Our meeting I can ne'er forget.

What though we never silence broke?
Our eyes a sweeter language spoke!
The tongue in flattering falsehood deals,
And tells a tale it never feels:
Deceit the guilty lips impart;
And hush the mandates of the heart;
But soul's interpreters, the eyes,
Spurn such restraint, and scorn disguise.
As thus our glances oft conversed,
And all our bosoms felt rehearsed,'
No spirit, from within, reproved us,
Say rather, "'t was the spirit moved us.'

him went.

1806.

"

He was tolerated in this state amongst the young men for his talents; as the Turks think a madman inspired, and bear with him. He used to recite, or rather vomit, pages of all languages, and could hiccup Greek like a Helot: and certainly Sparta never shocked her children with a gross er exhibition than this man's intoxication." 1818.-L. E.]

(1) Since this was written, Lord Henry Petty has lost his place, and subsequently (I had almost said consequently) the honour of representing the University A fact so glaring requires no comment. [Lord Henry Petty is now Marquess of Lansdowne.-L. E.]

(2) These verses were written at Harrowgate, in August 1806.-L. E.

(3) The cornelian of these verses was given to Lord Byron by the Cambridge chorister, Eddlestone, whose musical talents first introduced him to the young poet's acquaintance, and for whom he appears to have entertained, subsequently, a sentiment of the most romantic friendship.-L. E. Moore mentions another instance of a similar sentiment, entertained by the noble bard during the period of his stay in Greece, for an individual of far inferior rank to his own. The object of this warm and enthusiastic feeling was a Greek youth, named Nicolo Giraud, the son of a widow lady, in whose house the artist Lusieri lodged. In this young man be appears to have taken the most lively and even brotherly interest; so much so, as not only to have presented to him, on their parting at Malta, a considerable sum of money, but to have subsequently designed for him a still more munificent, as well as permanent, provision. In the rough draught of his intended will, transmitted by him to his solicitor, he bequeaths to Nicolo Giraud the sum of £7000, to be paid on his attaining the age of twenty-one years.-P. E.

Though what they utter'd I repress,
Yet I conceive thou 'It partly guess;
For as on thee my memory ponders,
Perchance to me thine also wanders.
This for myself, at least, I'll say,
Thy form appears through night, through day:
Awake, with it my fancy teems;

In sleep, it smiles in fleeting dreams;
The vision charms the hours away,
And bids me curse Aurora's ray
For breaking slumbers of delight
Which make me wish for endless night.
Since, oh! whate'er my future fate,
Shall joy or woe my steps await,
Tempted by love, by storms beset,
Thine image I can ne'er forget.

Alas! again no more we meet,
No more our former looks repeat;
Then let me breathe this parting prayer,
The dictate of my bosom's care:
"May Heaven so guard my lovely quaker,
That anguish never can o'ertake her;
That peace and virtue ne'er forsake her,
But bliss be aye her heart's partaker!
Oh!
may the happy mortal, fated
To be, by dearest ties, related,
For her each hour new joys discover,
And lose the husband in the lover!
May that fair bosom never know
What 'tis to feel the restless woe
Which stings the soul, with vain regret,
Of him who never can forget!" (2)

THE CORNELIAN. (3)

No specious splendour of this stone
Endears it to my memory ever;
With lustre only once it shone,

And blushes modest as the giver.(4)

(4) In a letter to Miss Pigot, of Southwell, written in June, 1807, Lord Byron thus describes Eddlestone:-"He is exactly to an hour two years younger than myself, nearly my height, very thin, very fair complexion, dark eyes, and light locks. My opinion of his mind you already know; I hope I shall never have occasion to change it." Eddlestone, on leaving his choir, entered into a mercantile house in the metropolis, and died of a consumption, in 1811. Lord Byron, on hearing of his death, thus writes to the mother of his fair correspondent:-"I am about to write to you on a silly subject, and yet I cannot well do otherwise. You may remember a cornelian, which some years ago I consigned to Miss Pigot, indeed gave to her, and now I am about to make the most selfish and rude of requests. The person who gave it to me, when I was very young, is dead, and though a long time has elapsed since we met, as it was the only memorial I possessed of that person (in whom I was very much interested), it has acquired a value by this event I could have wished it never to have borne in my eyes. If, therefore, Miss Pigot should have preserved it, I must, under these circumstances, beg her to excuse my requesting it to be transmitted to me, and I will replace it by something she may remember me by equally well. As she was always so kind as to feel interested in the fate of him who formed the subject of our conversation, you may tell her that the giver of that cornelian died in May last, of a consumption, at the age of twenty-one,-making the sixth, within four months, of friends and relations that I have lost between May and the end of August."-The cornelian heart was returned accordingly; and, indeed, Miss Pigot reminded Lord Byron that he had left it with her as a deposit, not a gift. It is now in the possession of the Hon. Mrs. Leigh.-L. E.

Some, who can sneer at friendship's ties,
Have, for my weakness, oft reproved me;
Yet still the simple gift I prize,—

For I am sure the giver loved me.
He offer'd it with downcast look,
As fearful that I might refuse it;
I told him when the gift I took,

My only fear should be to lose it.

This pledge attentively I view'd,

And sparkling as I held it near, Methought one drop the stone bedew'd, And ever since I've loved a tear.

Still, to adorn his humble youth,

Nor wealth nor birth their treasures yield; But he who seeks the flowers of truth

Must quit the garden for the field. "Tis not the plant uprear'd in sloth

Which beauty shows, and sheds perfume;
The flowers which yield the most of both
In Nature's wild luxuriance bloom.
Had Fortune aided Nature's care,

For once forgetting to be blind,
His would have been an ample share,
If well proportion'd to his mind.

But had the goddess clearly seen,

His form had fix'd her fickle breast; Her countless hoards would his have been, And none remain'd to give the rest.

AN OCCASIONAL PROLOGUE,

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DELIVERED PREVIOUS TO THE PERFORMANCE OF THE

WHEEL OF FORTUNE" AT A PRIVATE THEATRE.(1) SINCE the refinement of this polish'd age Has swept immoral raillery from the stage; Since taste has now expunged licentious wit, Which stamp'd disgrace on all an author writ; Since now to please with purer scenes we seek, Nor dare to call the blush from Beauty's cheek; Oh! let the modest Muse some pity claim, And meet indulgence, though she find not fame. Still, not for her alone we wish respect, Others appear more conscious of defect: To-night no veteran Roscii you behold, In all the arts of scenic action old;

(1) "When I was a youth, I was reckoned a good actor. Besides Harrow speeches, in which I shone, I enacted Penruddock, in The Wheel of Fortune, and Tristram Fickle, in the farce of The Weathercock, for three nights, in some private theatricals at Southwell, in 1806, with great applause. The occasional prologue for our volunteer play was also of my composition. The other performers were young ladies and gentlemen of the neighbourhood; and the whole went off with great effect upon our good-natured audience." Diary, 1821.-L. E.

(2) This prologue was written by the young poet, between stages, on his way from Harrowgate. On getting into the carriage at Chesterfield, he said to his companion, "Now, Pigot, I'll spin a prologue for our play;" and before they reached Mansfield he had completed his task,-interrupting, only once, his rhyming reverie, to ask the proper pronunciation of the French word "debut," and, on being answered (not, it would seem, very correctly), exclaiming, "Ay, that will do for rhyme to new."" The epilogue, which was from the pen of the Rev. Mr. Becher, was delivered by Lord Byron.-L. E.

"In order to afford to his Lordship an opportunity of displaying his powers of mimicry, this composition consisted of good-humoured portraits of all the persons concerned in the

No Cooke, no Kemble, can salute you here,
No Siddons draw the sympathetic tear;
To-night you throng to witness the début (2)
Of embryo actors, to the Drama new :
Here then, our almost unfledged wings we try;
Clip not our pinions ere the birds can fly :
Failing in this our first attempt to soar,
Drooping, alas! we fall to rise no more.
Not one poor trembler only fear betrays,

Who hopes, yet almost dreads, to meet your praise;
But all our dramatis personæ wait,

In fond suspense, this crisis of their fate.
No venal views our progress can retard,
Your generous plaudits are our sole reward;
For these, each Hero all his power displays,
Each timid Heroine shrinks before your gaze.
Surely the last will some protection find?
None to the softer sex can prove unkind:
While Youth and Beauty form the female shield,
The sternest censor to the fair must yield.
Yet, should our feeble efforts nought avail,
Should, after all, our best endeavours fail,
Still let some mercy in your bosoms live,
And, if you can't applaud, at least forgive.

ON THE DEATH OF MR. FOX,

THE FOLLOWING ILLIBERAL IMPROMPTU APPEARED
IN A MORNING PAPER.

"OUR nation's focs lament on Fox's death,
But bless the hour when PITT resign'd his breath:
These feelings wide, let sense and truth unclue,
We give the palm where Justice points it due."

TO WHICH THE AUTHOR OF THESE PIECES SENT THE
FOLLOWING REPLY.

On factious viper! whose envenom'd tooth
Would mangle still the dead, perverting truth;
What though our "nation's foes" lament the fate,
With generous feeling, of the good and great,
Shall dastard tongues essay to blast the name
Of him whose meed exists in endless fame?
When PITT expired in plenitude of power,
Though ill success obscured his dying hour,
Pity her dewy wings before him spread,
For noble spirits "war not with the dead:"
His friends, in tears, a last sad requiem gave,
As all his errors slumber'd in the grave;

representation. Some intimation of this design having got among the actors, an alarm was felt instantly at the ridicule thus in store for them. To quiet their apprehensions, the author was obliged to assure them that if, after having heard his epilogue at rehearsal, they did not of themselves pronounce it harmless, and even request that it should be preserved, he would most willingly withdraw it. In the mean time it was concerted between this gentleman and Lord Byron, that the latter should, on the morning of rehearsal, deliver the verses in a tone as innocent, and as free from all point, as possible, reserving his mimicry, in which the whole sting of the pleasantry lay, for the evening of representation. The desired effect was produced. All the personages of the green-room were satisfied, and even wondered how a suspicion of waggery could have attached itself to so well-bred a production. Their wonder, however, was of a different nature a night or two after, when, on hearing the audience convulsed with laughter at this same composition, they discovered at last the trick which the unsuspected mimic had played on them, and had no other resource than that of joining in the laugh which his playful imitation of the whole dramatis personæ excited."-Moore. --P. E.

He sunk, an Atlas bending 'neath the weight
Of cares o'erwhelming our conflicting state;
When, lo! a Hercules in Fox appear'd,
Who for a time the ruin'd fabric rear'd:
He, too, is fall'n, who Britain's loss supplied,
With him our fast-reviving hopes have died;
Not one great people only raise his urn,
All Europe's far-extended regions mourn.
"These feelings wide, let sense and truth unclue,
To give the palm where Justice points it due;"
Yet let not canker'd Calumny assail,

Or round our statesman wind her gloomy veil.
Fox! o'er whose corse a mourning world must weep,
Whose dear remains in honour'd marble sleep;
For whom, at last, e'en hostile nations groan,
While friends and foes alike his talents own;
Fox shall in Britain's future annals shine,
Nor e'en to PITT the patriot's palm resign,
Which Envy, wearing Candour's sacred mask,
For PITT, and Pirr alone, has dared to ask.(1)

THE TEAR.

"O lachrymarum fons, tenero sacros Ducentium ortus ex animo; quater

Felix in imo qui scatentem

Pectore te, pia Nympha, sensit."— Gray.
WHEN Friendship or Love our sympathies move,
When Truth in a glance should appear,
The lips may beguile with a dimple or smile,
But the test of affection's a Tear.

Too oft is a smile but the hypocrite's wile,
To mask detestation or fear;

Give me the soft sigh, whilst the soul-telling eye
Is dimm'd for a time with a Tear.

Mild Charity's glow, to us mortals below,
Shows the soul from barbarity clear;
Compassion will melt where this virtue is felt,
And its dew is diffused in a Tear.

The man doom'd to sail with the blast of the gale,
Through billows Atlantic to steer,

As he bends o'er the wave which may soon be his grave,
The green sparkles bright with a Tear.

The soldier braves death for a fanciful wreath
In Glory's romantic career;

But he raises the foe when in battle laid low,
And bathes every wound with a Tear.

If with high-bounding pride he return to his bride,
Renouncing the gore-crimson'd spear,

All his toils are repaid when, embracing the maid, From her eyelid he kisses the Tear.

Sweet scene of my youth! (2) seat of Friendship and Truth,

Where love chased each fast-fleeting year,
Loth to leave thee, I mourn'd, for a last look I turn'd,
But thy spire was scarce seen through a Tear.
Though my vows I can pour to my Mary no more,
My Mary, to Love once so dear,

In the shade of her bower I remember the hour
She rewarded those vows with a Tear.

By another possest, may she live ever blest!
Her name still my heart must revere :

Ye friends of my heart, ere from you I depart,
This hope to my breast is most near:
If again we shall meet in this rural retreat,
May we meet, as we part, with a Tear.
When my soul wings her flight to the regions of night,
And my corse shall recline on its bier,

As ye pass by the tomb where my ashes consume,
Oh! moisten their dust with a Tear.

May no marble bestow the splendour of woe
Which the children of vanity rear;

No fiction of fame shall blazon my name,
All I ask-all I wish-is a Tear.

REPLY

October 26th, 1805.

TO SOME VERSES OF J. M. B. PIGOT, ESQ., ON THE
CRUELTY OF HIS MISTRESS.

WHY, Pigot, complain of this damsel's disdain,
Why thus in despair do you fret?

For months you may try, yet, believe me, a sigh
Will never obtain a coquette.

Would you teach her to love? for a time seem to rove;
At first she may frown in a pet;

But leave her awhile, she shortly will smile,
And then you may kiss your coquette.
For such are the airs of these fanciful fairs,
They think all our homage a debt:
Yet a partial neglect soon takes an effect,
And humbles the proudest coquette.
Dissemble your pain, and lengthen your chain,
And seem her hauteur to regret;

If again you shall sigh, she no more will deny
That yours is the rosy coquette.

If still, from false pride, your pangs she deride,
This whimsical virgin forget;

Some other admire, who will melt with your fire,
And laugh at the little coquette.

For me, I adore some twenty or more,

And love them most dearly; but yet, Though my heart they enthral, I'd abandon them all, Did they act like your blooming coquette.

No longer repine, adopt this design,

And break through her slight-woven net; Away with despair, no longer forbear

To fly from the captious coquette. Then quit her, my friend! your bosom defend, Ere quite with her snares you're beset: Lest your deep-wounded heart, when incensed by the smart,

Should lead you to curse the coquette.

October 27th, 1806.

TO THE SIGHING STREPHON. YOUR pardon, my friend, if my rhymes did offend, Your pardon, a thousand times o'er; From friendship I strove your pangs to remove, But I swear I will do so no more.

(1) The "illiberal impromptu" appeared in the Morning Post, and Lord Byron's "reply" in the Morning Chronicle.

With a sigh I resign what I once thought was mine, L. E And forgive her deceit with a Tear.

(2) Harrow.

Since your beautiful maid your flame has repaid,
No more I your folly regret;

She's now most divine, and I bow at the shrine
Of this quickly-reform'd coquette.

Yet still, I must own, I should never have known
From your verses, what else she deserved;
Your pain seem'd so great, I pitied your fate,
As your fair was so devilish reserved.

Since the balm-breathing kiss of this magical miss
Can such wonderful transports produce;
Since the "world you forget, when your lips once
have met,"

My counsel will get but abuse.

You say, when "I rove, I know nothing of love;"
'Tis true, I am given to range:

If I rightly remember, I've loved a good number,
Yet there's pleasure, at least, in a change.

I will not advance, by the rules of romance,
To humour a whimsical fair;

Though a smile may delight, yet a frown won't affright,
Or drive me to dreadful despair.

While my blood is thus warm I ne'er shall reform,
To mix in the Platonist's school;

Of this I am sure, was my passion so pure,
Thy mistress would think me a fool.

And if I should shun every woman for one,
Whose image must fill my whole breast-
Whom I must prefer, and sigh but for her-
What an insult 't would be to the rest!

Now, Strephon, good bye; I cannot deny
Your passion appears most absurd;
Such love as you plead is pure love indeed,
For it only consists in the word.

TO ELIZA. (1)

ELIZA, what fools are the Mussulman sect,

Who to woman deny the soul's future existence! Could they see thee, Eliza, they'd own their defect, And this doctrine would meet with a general resistance.

Had their Prophet possess'd half an atom of sense,
He ne'er would have women from paradise driven;
Instead of his houris, a flimsy pretence!

With women alone he had peopled his heaven.

(I) Miss Elizabeth Pigot, of Southwell, to whom several of Lord Byron's earliest letters were addressed.-L. E.

(2) Lachin y Gair, or, as it is pronounced in the Erse, Loch-na-Garr, towers proudly pre-eminent in the Northern Highlands, near Invercauld. One of our modern tourists mentions it as the highest mountain, perhaps, in Great Britain. Be this as it may, it is certainly one of the most sublime and picturesque amongst our "Caledonian Alps." Its appearance is of a dusky hue, but the summit is the seat of eternal snows. Near Lachin y Gair I spent some of the early part of my life, the recollection of which has given birth to these stanzas.

["As a picturesque object, few mountains in the Grampian range are more interesting than Lachin y Gair. Though its summit stretches horizontally to a great extent, it is far from presenting a heavy or inelegant contour, for even where its broad front is displayed to the spectator, the brow of it is diversified by gentle inflections or pointed asperities. The most sublime feature of Lachin y Gair consists in those immense perpendicular cliffs of granite which give such impressive grandeur to its north-eastern aspect. This stu

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I sigh for the valley of dark Loch na Garr. Ah! there my young footsteps in infancy wander'd; My cap was the bonnet, my cloak was the plaid; (3) On chieftains long perish'd my memory ponder'd, As daily I strode through the pine-cover'd glade: I sought not my home till the day's dying glory Gave place to the rays of the bright polar star; For fancy was cheer'd by traditional story,

Disclosed by the natives of dark Loch na Garr. "Shades of the dead! have I not heard your voices Rise on the night-rolling breath of the gale?" Surely the soul of the hero rejoices,

And rides on the wind, o'er his own Highland vale. Round Loch na Garr while the stormy mist gathers, Winter presides in his cold icy car:

Clouds there encircle the forms of my fathers;

They dwell in the tempests of dark Loch na Garr.

"Ill starr'd, (4) though brave, did no visions foreboding Tell you that fate had forsaken your cause?" Ah! were you destined to die at Culloden, (5)

Victory crown'd not your fall with applause: Still were you happy in death's earthy slumber,

You rest with your clan in the caves of Braemar; (6) The pibroch resounds, to the piper's loud number, Your deeds on the echoes of dark Loch na Garr.

pendous precipice extends upwards of a mile and a half in length, and its height is from 950 to 1300 feet." Robson's Scenery of the Grampians.-P. E.}

(3) This word is erroneously pronounced plad: the proper pronunciation (according to the Scotch) is shown by the orthography.

(4) I allude here to my maternal ancestors, "the Gordons," many of whom fought for the unfortunate Prince Charles, better known by the name of the Pretender. This branch was nearly allied by blood, as well as attachment, to the Stuarts. George, the second Earl of Huntly, married the Princess Annabella Stuart, daughter of James the First of Scotland. By her he left four sons; the third, Sir William Gordon, I have the honour to claim as one of my progenitors.

(5) Whether any perished in the battle of Culloden, I am not certain; but, as many fell in the insurrection, I have used the name of the principal action, "pars pro toto."

(6) A tract of the Highlands so called. There is also a Castle of Braemar.

Years have roll'd on, Loch na Garr, since I left you,
Years must elapse ere I tread you again:
Nature of verdure and flowers has bereft you,
Yet still are you dearer than Albion's plain.
England! thy beauties are tame and domestic
To one who has roved on the mountains afar:
Oh for the crags that are wild and majestic!
The steep frowning glories of dark Loch na Garr! (1)

TO ROMANCE.

PARENT of golden dreams, Romance!
Auspicious queen of childish joys,
Who lead'st along, in airy dance,

Thy votive train of girls and boys;
At length, in spells no longer bound,
I break the fetters of my youth;
No more I tread thy mystic round,

But leave thy realms for those of Truth.
And yet 't is hard to quit the dreams

Which haunt the unsuspicious soul,
Where every nymph a goddess seems,
Whose eyes through rays immortal roll;
While Fancy holds her boundless reign,
And all assume a varied hue;
When virgins seem no longer vain,

And even woman's smiles are true.
And must we own thee but a name,
And from thy hall of clouds descend?
Nor find a sylph in every dame,

A Pylades (2) in every friend?
But leave at once thy realms of air
To mingling bands of fairy elves;
Confess that woman 's false as fair,

And friends have feeling for-themselves?
With shame I own I've felt thy sway;
Repentant, now thy reign is o'er:
No more thy precepts I obey,

No more on fancied pinions soar.
Fond fool! to love a sparkling eye,
And think that eye to truth was dear;
To trust a passing wanton's sigh,

And melt beneath a wanton's tear!
Romance! disgusted with deceit,
Far from thy motley court I fly,
Where Affectation holds her seat,
And sickly Sensibility:

(1) In The Island, a poem written a year or two before Lord Byron's death, we have these lines:

"He who first met the Highland's swelling blue Will love each peak that shows a kindred hue, Hail in each crag a friend's familiar face, And clasp the mountain in his mind's embrace. Long have I roam'd through lands which are not mine, Adored the Alp, and loved the Apennine, Revered Pernassus, and beheld the steep Jove's Ida and Olympus crown the deep: But 't was not all long ages' lore, nor all Their nature held me in their thrilling thrall; The infant rapture still survived he boy, And Loch na Garr with Ida look'd o'er Troy, Mix'd Celtic memories with the Phrygian mount, And Highland linns with Castalie's clear fount." "When very young," (he adds in a note) "about eight years of age, after an attack of the scarlet fever at Aberdeen, I was removed, by medical advice, into the Highlands, and from this period I date my love of mountainous countries. I can never forget the effect, a few years afterwards, in England, of the only thing I had long seen, even in miniaature, of a mountain, in the Malvern Hills. After I returned to Cheltenham, I used to watch them every afternoon, at sunset, with a sensation which I cannot describe."-L. E.

Whose silly tears can never flow

For any pangs excepting thine;
Who turns aside from real woe,
To steep in dew thy gaudy shrine.
Now join with sable Sympathy,

With cypress crown'd, array'd in weeds, Who heaves with thee her simple sigh, Whose breast for every bosom bleeds; And call thy sylvan female choir,

To mourn a swain for ever gone,
Who once could glow with equal fire,

But bends not now before thy throne.
Ye genial nymphs, whose ready tears
On all occasions swiftly flow;
Whose bosoms heave with fancied fears,
With fancied flames and frenzy glow;
Say, will you mourn my absent name,
Apostate from your gentle train?
An infant bard at least may claim
From you a sympathetic strain.
Adieu, fond race! a long adieu!

The hour of fate is hovering nigh;
E'en now the gulf appears in view,

Where unlamented you must lie: Oblivion's blackening lake is seen,

Convulsed by gales you cannot weather; Where you, and eke your gentle queen, Alas! must perish altogether.

27

ANSWER TO SOME ELEGANT VERSES SENT BY A FRIEND TO THE AUTHOR, COMPLAINING THAT ONE OF HIS DESCRIPTIONS WAS RATHER TOO WARMLY DRAWN.

"But if any old lady, knight, priest, or physician,
Should condemn me for printing a second edition;
If good Madam Squintem my work should abuse,
May I venture to give her a smack of my muse?"
New Bath Guide.

CANDOUR Compels me, BECHER! (3) to commend
The verse which blends the censor with the friend;
Your strong yet just reproof extorts applause
From me, the heedless and imprudent cause.
For this wild error which pervades my strain,

I sue for pardon,-must I sue in vain?
The wise sometimes from Wisdom's ways depart,
Can youth then hush the dictates of the heart?

In "The Adieu" (published among his occasional pieces), Lord Byron again mentions Lachin y Gair, or Loch-na-Garr, in a manner that marks the impressions made upon his feelings by the scenes of his boyhood:

"Adieu, ye mountains of the clime,
Where grew my youthful years;
Where Loch-na-Garr, in snows sublime,
His giant summit rears."-P. E.

(2) It is hardly necessary to add, that Pylades was the companion of Orestes, and a partner in one of those friendships which, with those of Achilles and Patroclus, Nisus and Euryalus, Damon and Pythias, have been handed down to posterity as remarkable instances of attachments which, in all probability, never existed beyond the imagination of the poet, or the page of an historian, or modern novelist.

(3) The Rev. John Becher, prebendary of Southwell, the well-known author of several philanthropic plans for the amelioration of the condition of the poor. In this gentleman the youthful poet found not only an honest and judicious critic, but a sincere friend. To his care the superintendence of the second edition of Hours of Idleness, during its progress through a country press, was intrusted, and at his suggestion several corrections and omissions were made.

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