6 The second is some rhymed rhetoric from Holy Cross Day '-the testimony of the dying Jew in Rome: 'This world has been harsh and strange, Something is wrong: there needeth a change. But what or where? at the last or first? In one point only we sinned at worst. 'The Lord will have mercy on Jacob yet, And again in his border see Israel set. When Judah beholds Jerusalem, The stranger seed shall be joined to them: Ay, the children of the chosen race Shall carry and bring them to their place; 'God spoke, and gave us the word to keep: 'Thou! if Thou wast He, who at mid-watch came, 'Thou art the Judge. We are bruised thus. But, the Judgment over, join sides with us! Thine, too, is the cause! and not more Thine Than ours is the work of these dogs and swine, Whose life laughs through and spits at their creed, Who maintain Thee in word, and defy Thee in deed. 'We withstood Christ then? Be mindful how Was our outrage sore? But the worst we spared 'By the torture, prolonged from age to age; By the Ghetto's plague, by the garb's disgrace, 'We boast our proof, that at least the Jew The last quotation shall be from the veritable Browning-of one of those poetical audacities none ever dared but the Danton of modern poetry. Audacious in its familiar realism, in its total disregard of poetical environment, in its rugged abruptness: but supremely successful, and alive with emotion: 'What is he buzzing in my ears? Now that I come to die, Do I view the world as a vale of tears? Ah, reverend sir, not I. 'What I viewed there once, what I view again, Where the physic bottles stand On the table's edge, is a suburb lane, 'That lane sloped, much as the bottles do, From a house you could descry O'er the garden-wall. Is the curtain blue Or green to a healthy eye? 'To mine, it serves for the old June weather, And that farthest bottle, labelled "Ether," 'At a terrace somewhat near its stopper, Only there was a way-you crept Eyes in the house-two eyes except. They styled their house "The Lodge." 'What right had a lounger up their lane? But by creeping very close, With the good wall's help their eyes might strain And stretch themselves to oes, 'Yet never catch her and me together, By the rim of the bottle labelled "Ether And stood by the rose-wreathed gate. Alas! We loved, sir; used to meet. How sad and bad and mad it was! But then, how it was sweet!' The second period of Mr. Browning's poetry demands a different line of argument; for it is, in my judg ment, folly to deny that he has of late years written a great deal which makes very difficult reading indeed. No doubt you may meet people who tell you that they read the 'Ring and the Book' for the first time without much mental effort; but you will do well not to believe them. These poems are difficult-they cannot help being so. What is the 'Ring and the Book'? A huge novel in 20,000 lines-told after the method not of Scott but of Balzac; it tears the hearts out of a dozen characters; it tells the same story from ten different points of view. It is loaded with detail of every kind and description: you are let off nothing. As with a schoolboy's life at a large school, if he is to enjoy it at all, he must fling himself into it, and care intensely about everything-so the reader of the Ring and the Book' must be interested in everybody and everything, down to the fact that the eldest daughter of the counsel for the prosecution of Guido is eight years old on the very day he is writing his speech, and that he is going to have fried liver and parsley for his supper. If you are prepared for this, you will have your reward; for the style, though rugged and involved, is throughout, with the exception of the speeches of counsel, eloquent, and at times superb; and as for the matter, if your interest in human nature is keen, curious, almost professional-if nothing man, woman, or child has been, done, or suffered, or conceivably can be, do, or suffer, |