 | sir Joshua Reynolds - 1801 - 450 oldal
...grace, which are neither theirs, nor his, but lie open in the multiplied scenes and figures of life, to be brought out by skilful and faithful observers....excellence. It is to the credit of his good sense and judgement, that he never did attempt that style of historical painting, for which his previous studies... | |
 | Sir Joshua Reynolds, Edmond Malone - 1801 - 452 oldal
...grace, which are neither theirs, nor his, but lie open in the multiplied scenes and figures of life, to be brought out by skilful and faithful observers....excellence. It is to the credit of his good sense and judgement, that he never did attempt that style of historical painting, for which his previous studies... | |
 | Sir Joshua Reynolds - 1809 - 442 oldal
...to a high degree of excellence. It is to the credit of his good sense and judgement, that he riever did attempt that style of historical painting, for...studies had made no preparation. And here it naturally ocfcurs to oppose the sensible conduct of Gainsborough in this respect, to that of our late excellent... | |
 | Alexander Chalmers - 1814 - 544 oldal
...thousand modes of grace unselectecl, but which lie open in the multiplied scenes and figures of life, to be brought out by skilful and faithful observers....which his previous studies had made no preparation." Nothing could have enabled Gainsborough to reach so elevated a point in the art of painting without... | |
 | Alexander Chalmers - 1814 - 548 oldal
...thousand modes of grace unselected, but which lie open in the multiplied scenes and figures of life, to be brought out by skilful and faithful observers....high degree of excellence. It is to the credit of his-good sense and judgment that he never did attempt that style of historical painting for which his... | |
 | sir Joshua Reynolds - 1819 - 440 oldal
...grace, which are neither theirs, nor his, but lie open in the multiplied scenes and figures of life, to be brought out by skilful and faithful observers....excellence. It is to the credit of his good sense and judgement, that he never did attempt that style of historical painting, for which his previous studies... | |
 | Sir Joshua Reynolds - 1819 - 446 oldal
...grace, which are neither theirs, nor his, but lie open in the multiplied scenes and figures of life, to be brought out by skilful and faithful observers....excellence. It is to the credit of his good sense and judgement, that he never did attempt that style of historical painting, for which his previous studies... | |
 | Matthew Pilkington - 1829 - 586 oldal
...thousand modes of grace unselected, but which lie open in the multiplied scenes and figures of life, to be brought out by skilful and faithful observers....credit of his good sense and judgment, that he never attempted that style of historical painting for which his previous studies had made no preparation."... | |
 | Matthew Pilkington - 1840 - 794 oldal
...modes of ытясe unselected, but which lie open in the multiplied scenes and figures of life, tobe brought out by skilful and faithful observers. Upon...credit of his good sense and judgment, that he never attempted that style of historical painting for which his previous studies had made no preparation."... | |
 | 1847 - 436 oldal
...regularly edueated, yet prohably it was suggested to him by his own natural sagaeity. It is to the eredit of his good sense and judgment that he never did attempt that style of historieal painting for whieh his previous studies had made no preparation." Gainsborough " was well... | |
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Upon the whole, we may justly say, that whatever he attempted, he carried to a high degree of excellence. It is to the credit of his good sense and judgment, that he never did attempt that style of historical painting, for which his previous studies had... 
