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I HATE the dreadful hollow behind the little wood,
Its lips in the field above are dappled with blood-red heath,
The red-ribb'd ledges drip with a silent horror of blood,
And Echo there, whatever is ask’d her, answers ‘Death.’
For there in the ghastly pit long since a body was found,
His who had given me life – O father O God! was it well?—
Mangled, and flatten'd, and crush'd, and dinted into the ground:
There yet lies the rock that fell with him when he fell.
Did he fling himself down? who knows? for a vast speculation had fail'd,
And ever he mutter'd and madden'd, and ever wann'd with despair,
And out he walk'd when the wind like a broken worldling wail'd,
And the flying gold of the ruin'd woodlands drove thro' the air.
I remember the time, for the roots of my hair were stirr'd
By a shuffled step, by a dead weight trail'd, by a whisper'd fright,
And my pulses closed their gates with a shock on my heart as I heard
The shrill-edged shriek of a mother divide the shuddering night.
Villainy somewhere ! whose? One says, we are villains all.
Not he; his honest fame should at least by me be maintained:
But that old man, now lord of the broad estate and the Hall,
Dropt off gorged from a scheme that had left us flaccid and drain'd.
Why do they prate of the blessings of Peace? we have made them a curse,
Pickpockets, each hand lusting for all that is not its own;
And lust of gain, in the spirit of Cain, is it better or worse
Than the heart of the citizen hissing in war on his own hearthstone?
But these are the days of advance, the works of the men of mind,
When who but a fool would have faith in a tradesman's ware or his word?
Is it peace or war? Civil war, as I think, and that of a kind
The viler, as underhand, not openly bearing the sword.
Sooner or later I too may passively take the print
Of the golden age — why not? I have neither hope nor trust;
May make my heart as a millstone, set my face as a flint,
Cheat and be cheated, and die: who knows? we are ashes and dust.
Peace sitting under her olive, and slurring the days gone by,
When the poor are hovell'd and hustled together, each sex, like swine.
When only the ledger lives, and when only not all men lie;
Peace in her vineyard — yes!—but a company forges the wine.
And the vitriol madness flushes up in the ruffian's head,
Till the filthy by-lane rings to the yell of the trampled wife,
And chalk and alum and plaster are sold to the poor for bread,
And the spirit of murder works in the very means of life,
And Sleep must lie down arm’d, for the villainous centre-bits
Grind on the wakeful ear in the hush of the moonless nights,
While another is cheating the sick of a few last gasps, as he sits
To pestle a poison'd poison behind his crimson lights.
When a Mammonite mother kills her babe for a burial fee,
And Timour-Mammon grins on a pile of children's bones,
Is it peace or war? better, war ! loud war by land and by sea,
War with a thousand battles, and shaking a hundred thrones.
For I trust if an enemy's fleet came yonder round by the hill,
And the rushing battle-boat sang from the three-decker out of the foam,
That the smooth-faced snubnosed rogue would leap from his counter and till,
And strike, if he could, were it but with his cheating yardwand, home. —
What! am I raging alone as my father raged in his mood?
Must / too creep to the hollow and dash myself down and die
Rather than hold by the law that I made, nevermore to brood
On a horror of shatter'd limbs and a wretched swindler's lie?
Would there be sorrow for me? there was love in the passionate shriek,
Love for the silent thing that had made false haste to the grave —
Wrapt in a cloak, as I saw him, and thought he would rise and speak
And rave at the lie and the liar, ah God, as he used to rave,
I am sick of the Hall and the hill, I am sick of the moor and the main.
Why should I stay? can a sweeter chance ever come to me here?
O, having the nerves of motion as well as the nerves of pain,
Were it not wise if I fled from the place and the pit and the fear?
Workmen up at the Hall !—they are coming back from abroad;
The dark old place will be gilt by the touch of a millionaire:
I have heard, I know not whence, of the singular beauty of Maud;
I play'd with the girl when a child; she promised then to be fair.
Maud with her venturous climbings and tumbles and childish escapes,
Maud the delight of the village, the ringing joy of the Hall,
Maud with her sweet purse-mouth when my father dangled the grapes,
Maud the beloved of my mother, the moon-faced darling of all, -
What is she now? My dreams are bad. She may bring me a curse.
No, there is fatter game on the moor: she will let me alone.
Thanks, for the fiend best knows whether woman or man be the worse.
I will bury myself in myself, and the Devil may pipe to his own.
Long have I sigh’d for a calm : God grant I may find it at last !
It will never be broken by Maud, she has neither savour nor salt,
But a cold and clear-cut face, as I found when her carriage past,
Perfectly beautiful: let it be granted her: where is the fault?
All that I saw (for her eyes were downcast, not to be seen)
Faultily faultless, icily regular, splendidly null,
Dead perfection, no more; nothing more, if it had not been
For a chance of travel, a paleness, an hour's defect of the rose,
Or an underlip, you may call it a little too ripe, too full,
Or the least little delicate aquiline curve in a sensitive nose,
From which I escaped heart-free, with the least little touch of spleen.
Cold and clear-cut face, why come you so cruelly meek,
Breaking a slumber in which all spleenful folly was drown'd,
Pale with the golden beam of an eyelash dead on the cheek,
Passionless, pale, cold face, star-sweet on a gloom profound;
Womanlike, taking revenge too deep for a transient wrong
Done but in thought to your beauty, and ever as pale as before
Growing and fading and growing upon me without a sound,
Luminous, gemlike, ghostlike, deathlike, half the night long
Growing and fading and growing, till I could bear it no more,
But arose, and all by myself in my own dark garden ground,