Speech for the StageRoutledge, 2013. ápr. 3. - 264 oldal From its original publication, thousands of actors have used this classic text to develop and refine their voice and speech. Evangeline Machlin includes warm-up routines for the voice but initially focuses on the importance of listening. She also discusses such important elements as relaxation, phonetics, articulation, resonance, pitch, rate of speech and stress. In addition, there are chapters on dialects, on reading aloud, sight reading, auditioning and performance. |
Részletek a könyvből
1 - 5 találat összesen 25 találatból.
vii. oldal
... role . Accordingly , this book begins and ends with work . The Actor's Daily Routine is on the front endpaper , the Actor's Warm - Up Exercises on the last . The latter , a short but useful series , is one which you should invariably ...
... role . Accordingly , this book begins and ends with work . The Actor's Daily Routine is on the front endpaper , the Actor's Warm - Up Exercises on the last . The latter , a short but useful series , is one which you should invariably ...
3. oldal
... role of these movements in shap- ing the sounds of speech becomes exceedingly clear . The agility of tongue , lip , and jaw movements , if the actor's speech is well articulated , should be most instructive for you . For your listening ...
... role of these movements in shap- ing the sounds of speech becomes exceedingly clear . The agility of tongue , lip , and jaw movements , if the actor's speech is well articulated , should be most instructive for you . For your listening ...
5. oldal
... role . The climactic mo- ment of the play was the dreadful scream Campbell gave at the moment he discovered his true identity . It was so harrowing a moment of catharsis that in 1980 Harold Prince declared he still remembered the scream ...
... role . The climactic mo- ment of the play was the dreadful scream Campbell gave at the moment he discovered his true identity . It was so harrowing a moment of catharsis that in 1980 Harold Prince declared he still remembered the scream ...
6. oldal
... under- take six weeks of study with a speech teacher before the production to lower his pitch for the role . sequence after another was a profound experience . He was 6 1 SPEECH FOR THE STAGE Breath Control for Speech.
... under- take six weeks of study with a speech teacher before the production to lower his pitch for the role . sequence after another was a profound experience . He was 6 1 SPEECH FOR THE STAGE Breath Control for Speech.
38. oldal
Sajnáljuk, az oldal tartalma korlátozott hozzáférésű..
Sajnáljuk, az oldal tartalma korlátozott hozzáférésű..
Tartalomjegyzék
1 | |
7 | |
588 | 37 |
Articulation and the Phonetic Alphabet | 89 |
Pitch Rate and Stress | 133 |
The Speaking of Shakespeare | 145 |
Dialects for the Stage | 186 |
Reading Aloud Auditioning and Performing | 194 |
BIBLIOGRAPHY | 221 |
Advanced Exercises | 244 |
Más kiadások - Összes megtekintése
Gyakori szavak és kifejezések
accent achieve action actor aloud American arms articulation audience become begin body breath British Caed called carry Chapter clear close consonants continue Correction described develop dialect dropped effect exercises exhalation eyes fault feel final give GROUP hand head hear heard inflection inhale John keep kind lines lips Listen look lower meaning mouth move movements nasal natural occur once pause performance phonetic pitch play poem position possible practice production projection pronunciation reading recording relaxation released Repeat resonance Rest role scene selection sense sentence sequence Shakespeare silence singing slowly sound speak speech speed spelling spoken stage standing stress syllable symbol technique theatre tone tongue transcribed transcription unit vocal voice vowel wide words