Speech for the StageRoutledge, 2013. ápr. 3. - 264 oldal From its original publication, thousands of actors have used this classic text to develop and refine their voice and speech. Evangeline Machlin includes warm-up routines for the voice but initially focuses on the importance of listening. She also discusses such important elements as relaxation, phonetics, articulation, resonance, pitch, rate of speech and stress. In addition, there are chapters on dialects, on reading aloud, sight reading, auditioning and performance. |
Részletek a könyvből
1 - 5 találat összesen 46 találatból.
3. oldal
... lip , and jaw movements , if the actor's speech is well articulated , should be most instructive for you . For your listening studies , you will need access to a record player , a tape recorder , and a supply of speech records ...
... lip , and jaw movements , if the actor's speech is well articulated , should be most instructive for you . For your listening studies , you will need access to a record player , a tape recorder , and a supply of speech records ...
9. oldal
... lip along with George Irving , trying to equal his comic clarity . The label and number for this and all other records mentioned in this chapter are listed beginning on page 216 . The ability to imitate a particular kind of speech or ...
... lip along with George Irving , trying to equal his comic clarity . The label and number for this and all other records mentioned in this chapter are listed beginning on page 216 . The ability to imitate a particular kind of speech or ...
20. oldal
Sajnáljuk, az oldal tartalma korlátozott hozzáférésű..
Sajnáljuk, az oldal tartalma korlátozott hozzáférésű..
21. oldal
Sajnáljuk, az oldal tartalma korlátozott hozzáférésű..
Sajnáljuk, az oldal tartalma korlátozott hozzáférésű..
25. oldal
Sajnáljuk, az oldal tartalma korlátozott hozzáférésű..
Sajnáljuk, az oldal tartalma korlátozott hozzáférésű..
Tartalomjegyzék
1 | |
7 | |
588 | 37 |
Articulation and the Phonetic Alphabet | 89 |
Pitch Rate and Stress | 133 |
The Speaking of Shakespeare | 145 |
Dialects for the Stage | 186 |
Reading Aloud Auditioning and Performing | 194 |
BIBLIOGRAPHY | 221 |
Advanced Exercises | 244 |
Más kiadások - Összes megtekintése
Gyakori szavak és kifejezések
accent achieve action actor aloud American arms articulation audience become begin body breath British Caed called carry Chapter clear close consonants continue Correction described develop dialect dropped effect exercises exhalation eyes fault feel final give GROUP hand head hear heard inflection inhale John keep kind lines lips Listen look lower meaning mouth move movements nasal natural occur once pause performance phonetic pitch play poem position possible practice production projection pronunciation reading recording relaxation released Repeat resonance Rest role scene selection sense sentence sequence Shakespeare silence singing slowly sound speak speech speed spelling spoken stage standing stress syllable symbol technique theatre tone tongue transcribed transcription unit vocal voice vowel wide words