upon, and were to sit down with all the premeditation of Master Stephen, would be able to enjoy much of what somebody calls "the ecstasy of woe."

Among that large class of young persons whose reading is almost entirely confined to works of imagination, the popularity of Byron was unbounded. They bought pictures of him; they treasured up the smallest relics of him; they learned his poems by heart, and did their best to write like him, and to look like him. Many of them practised at the glass in the hope of catching the curl of the upper lip, and the scowl of the brow, which appear in some of his portraits. A few discarded their neck-cloths in imitation of their great leader. For some years the Minerva press sent forth no novel without a mysterious, unhappy, Laralike peer. The number of hopeful undergraduates and medical students who became things of dark imaginings, on whom the freshness of the heart ceased to fall like dew, whose passions had consumed themselves to dust, and to whom the relief of tears was denied, passes all calculation. This was not the worst. There was created in the minds of many of these enthusiasts a pernicious and absurd association between intellectual power and moral depravity. From the poetry of Lord Byron they drew a system of ethics, compounded of misanthropy and voluptuousness, a system in which the two great commandments were, to hate your neighbour, and to love your neighbour's wife.

This affectation has passed away; and a few more years will destroy whatever remains of that magical potency which once belonged to the name of Byron. To us he is still a man, young, noble, and unhappy. To our children he will be merely a writer; and their impaṛtial judgment will appoint his place among writers ; without regard to his rank or to his private history. That his poetry will undergo a severe sifting, that much of what has been admired by his contemporaries will be rejected as worthless, we have little doubt. But we have as little doubt that, after the closest scrutiny, there will still remain much that can only perish with the English language.

(From Essays, "Moore's Life of Lord Byron," June 1830.)

THE DIGNITY OF HISTORY

TRAGEDY has its dignity as well as history; and how much the tragic art has owed to that dignity any man may judge who will compare the majestic Alexandrines in which the Seigneur Oreste and Madame Andromaque utter their complaints, with the chattering of the fool in Lear and of the nurse in Romeo and Juliet.

But

That a historian should not record trifles, that he should confine himself to what is important, is perfectly true. But many writers seem never to have considered on what the historical importance of an event depends. They seem not to be aware that the importance of a fact, when that fact is considered with reference to its immediate effects, and the importance of the same fact, when that fact is considered as part of the materials for the construction of a science, are two very different things. The quantity of good or evil which a transaction produces is by no means necessarily proportioned to the quantity of light which that transaction affords, as to the way in which good or evil may hereafter be produced. The poisoning of an emperor is in one sense a far more serious matter than the poisoning of a rat. the poisoning of a rat may be an era in chemistry; and an emperor may be poisoned by such ordinary means, and with such ordinary symptoms, that no scientific journal would notice the occurrence. An action for a hundred thousand pounds is in one sense a more momentous affair than an action for fifty pounds. But it by no means follows that the learned gentlemen who report the proceedings of the courts of law ought to give a fuller account of an action for a hundred thousand pounds, than of an action for fifty pounds. For a cause in which a large sum is at stake may be important only to the particular defendant. A cause, on the other hand, in which a small sum is at stake, may establish some great principle interesting to half the families in the kingdom. The case is exactly the same with that class of subjects of which historians treat. To an Athenian, in the time of the Peloponesian war, the result of the battle of Delium was far more important than the fate of the comedy of The Knights. But to us the fact that the comedy of The Knights was brought on the Athenian stage with success is far more important than the fact that the Athenian phalanx gave way at Delium. Neither the one event nor the other has now any intrinsic importance. We are in no

danger of being speared by the Thebans.

We are not quizzed in

The Knights. To us the importance of both events consists in the value of the general truth which is to be learned from them. What general truth do we learn from the accounts which have come down to us of the battle of Delium? Very little more than

travelled much.

this, that when two armies fight, it is not improbable that one of them will be very soundly beaten, a truth which it would not, we apprehend, be difficult to establish, even if all memory of the battle of Delium were lost among men. But a man who becomes acquainted with the comedy of The Knights, and with the history of that comedy, at once feels his mind enlarged. Society is presented to him under a new aspect. He may have read and He may have visited all the countries of Europe, and the civilised nations of the East. He may have observed the manners of many barbarous races. But here is something altogether different from everything which he has seen, either among polished men or among savages. Here is a community politically, intellectually, and morally unlike any other community of which he has the means of forming an opinion. This is the really precious part of history, the corn which some threshers carefully sever from the chaff, for the purpose of gathering the chaff into the garner, and flinging the corn into the fire. (From Essays, "Sir William Temple," October 1838.)

THE TRIAL OF WARREN HASTINGS

THE place was worthy of such a trial. It was the great hall of William Rufus, the hall which had resounded with acclamations at the inauguration of thirty kings, the hall which had witnessed the just sentence of Bacon, and the just absolution of Somers, the hall where the eloquence of Strafford had for a moment awed and melted a victorious party inflamed with just resentment, the hall where Charles had confronted the High Court of Justice with the placid courage which has half redeemed his fame. Neither military nor civil pomp was wanting. The avenues were lined with grenadiers The streets were kept clear by cavalry. The peers, robed in gold and ermine, were marshalled by the heralds under Garter- King-at-arms. The judges in their vestments of state attended to give advice on points of law. Near a hundred

and seventy lords, three-fourths of the Upper House as the Upper House then was, walked in solemn order from their usual place of assembling to the tribunal. The junior baron present led the way, George Eliott, Lord Heathfield, recently ennobled for his memorable defence of Gibraltar against the fleets and armies of France and Spain. The long procession was closed by the Duke of Norfolk, Earl-Marshal of the realm, by the great dignitaries, and by the brothers and sons of the King. Last of all came the Prince of Wales, conspicuous by his fine person and noble bearing. The gray old walls were hung with scarlet. The long galleries were crowded by an audience such as has rarely excited the fears or the emulation of an orator. There were gathered together, from all parts of a great, free, enlightened, and prosperous empire, grace and female loveliness, wit and learning, the representatives of every science and of every art. There were seated round the Queen the fair-haired young daughters of the house of Brunswick. There the Ambassadors of great Kings and Commonwealths gazed with admiration on a spectacle which no other country in the world could present. There Siddons, in the prime of her majestic beauty, looked with emotion on a scene surpassing all the imitations of the stage. There the historian of the Roman Empire thought of the days when Cicero pleaded the cause of Sicily against Verres, and when, before a senate which still retained some show of freedom, Tacitus thundered against the oppressor of Africa. There were seen, side by side, the greatest painter and the greatest scholar of the age. The spectacle had allured Reynolds from that easel which has preserved to us the thoughtful foreheads of so many writers and statesmen, and the sweet smiles of so many noble matrons. It had induced Parr to suspend his

labours in that dark and profound mine from which he had extracted a vast treasure of erudition, a treasure too often buried in the earth, too often paraded with injudicious and inelegant ostentation, but still precious, massive, and splendid. There appeared the voluptuous charms of her to whom the heir of the throne had in secret plighted his faith. There too was she, the beautiful mother of a beautiful race, the Saint Cecilia, whose delicate features, lighted up by love and music, art has rescued from the common decay. There were the members of that brilliant society which quoted, criticised, and exchanged repartees, under the rich peacock hangings of Mrs. Montague. And there the ladies whose lips, more persuasive than those of Fox himself,

had carried the Westminster election against palace and treasury, shone round Georgiana, Duchess of Devonshire.

The Serjeants made proclamation. Hastings advanced to the bar, and bent his knee. The culprit was indeed not unworthy of that great presence. He had ruled an extensive and populous country, had made laws and treaties, had sent forth armies, had set up and pulled down princes. And in his high place he had so borne himself, that all had feared him, that most had loved him, and that hatred itself could deny him no title to glory except virtue. He looked like a great man, and not like a bad man. A person small and emaciated, yet deriving dignity from a carriage which, while it indicated deference to the court, indicated also habitual self-possession and self-respect, a high and intellectual forehead, a brow pensive, but not gloomy, a mouth of inflexible decision, a face pale and worn, but serene, on which was written, as legibly as under the picture in the council chamber at Calcutta, Mens æqua in arduis; such was the aspect with which the great Proconsul presented himself to his judges.

His counsel accompanied him, men all of whom were afterwards raised, by their talents and learning, to the highest posts in their profession, the bold and strong-minded Law, afterwards Chief Justice of the King's Bench; the more humane and eloquent Dallas, afterwards Chief Justice of the Common Pleas; and Plomer who, near twenty years later, successfully conducted in the same high court the defence of Lord Melville, and subsequently became Vice-Chancellor and Master of the Rolls.

But neither the culprit nor his advocates attracted so much notice as the accusers. In the midst of the blaze of red drapery, a space had been fitted up with green benches and tables for the Commons. The managers, with Burke at their head, appeared in full dress. The collectors of gossip did not fail to remark that even Fox, generally so regardless of his appearance, had paid to the illustrious tribunal the compliment of wearing a bag and sword. Pitt had refused to be one of the conductors of the impeachment; and his commanding, copious, and sonorous eloquence was wanting to that great muster of various talents. Age and blindness had unfitted Lord North for the duties of a public prosecutor; and his friends were left without the help of his excellent sense, his tact and his urbanity. But in spite of the absence of these two distinguished members of the Lower House, the box in which the managers stood contained an array of