Acting with Style, 10. kötetPrentice-Hall, 1982 - 292 oldal From preface: This book is aimed at helping the actor discover what kind of play he is in--to identify the stylistic clues--and then come to a physical awareness of how it should be played. |
Részletek a könyvből
1 - 3 találat összesen 85 találatból.
248. oldal
... theatre was to change the life of man . Artaud believed that bourgeois culture had never been at one with life , but had tyran- nized it . Theatre must reveal how man's social condition is iniquitous ; it must break through the dead ...
... theatre was to change the life of man . Artaud believed that bourgeois culture had never been at one with life , but had tyran- nized it . Theatre must reveal how man's social condition is iniquitous ; it must break through the dead ...
288. oldal
... theatre , 257-61 , 264 , 268 National Theatre ( England ) , 48 Naturalistic approach , 4 , 184-85 , 268 Brecht and , 217 comedy of manners and , 106-7 Greek drama and , 32 , 36n See ... Theatre , 253 Political theatre of Brecht , 288 INDEX.
... theatre , 257-61 , 264 , 268 National Theatre ( England ) , 48 Naturalistic approach , 4 , 184-85 , 268 Brecht and , 217 comedy of manners and , 106-7 Greek drama and , 32 , 36n See ... Theatre , 253 Political theatre of Brecht , 288 INDEX.
289. oldal
John Harrop, Sabin R. Epstein. Polish Laboratory Theatre , 253 Political theatre of Brecht , 216-21 , 230-31 , 237n , 238 , 240 of Piscator , 217 Pomanders , 91 Porter , Cole , 109 Poseidon , 22 , 28 Posture , see Body Pot of Gold , The ...
John Harrop, Sabin R. Epstein. Polish Laboratory Theatre , 253 Political theatre of Brecht , 216-21 , 230-31 , 237n , 238 , 240 of Piscator , 217 Pomanders , 91 Porter , Cole , 109 Poseidon , 22 , 28 Posture , see Body Pot of Gold , The ...
Tartalomjegyzék
PLAYING TRAGEDY | 9 |
SHAKESPEARE | 48 |
PLAYING COMEDY | 99 |
Copyright | |
4 további fejezet nem látható
Gyakori szavak és kifejezések
absurd theatre achieve acter acting action activity actor American Conservatory Theatre Artaud Artaudian theatre attitude audi audience aware Bald Soprano basic Beckett become Bertolt Brecht body Brecht century char character mask character's chorus circle clothing Coach the players comedy of manners comic commedia confrontation costume create dance demands dialectical Dionysus discover drama dynamic Elizabethan emotional ence energy epic epic theatre essential event exercise explore farce feeling focus function gesture give Greek tragedy Harpagon hieroglyph human humor images impulse intensity Ionesco language man's Marxism meaning ment Molière moral move movement nature performance physical play playwright poetic political realistic reality response reveal rhythmical rhythms ritual Royal Shakespeare Company scene sense sensibility sexual Shakespeare's simple situation slapstick social mask society space speech spine spirit stage strong structure style suggested tends theatrical tion truth verbal verse Waiting for Godot words