Acting with Style, 10. kötetPrentice-Hall, 1982 - 292 oldal From preface: This book is aimed at helping the actor discover what kind of play he is in--to identify the stylistic clues--and then come to a physical awareness of how it should be played. |
Részletek a könyvből
1 - 3 találat összesen 71 találatból.
. oldal
... Suggested Readings 3 SHAKESPEARE Intrinsic Demands Background 49 Performance Demands Epilogue 86 47 56 72 Playing the Style 88 Exercises , Games , Techniques Suggested Readings 97 91 II PLAYING COMEDY 4 COMEDY OF MANNERS Background 101 ...
... Suggested Readings 3 SHAKESPEARE Intrinsic Demands Background 49 Performance Demands Epilogue 86 47 56 72 Playing the Style 88 Exercises , Games , Techniques Suggested Readings 97 91 II PLAYING COMEDY 4 COMEDY OF MANNERS Background 101 ...
. oldal
... Suggested Reading 245 8 ARTAUDIAN THEATRE Background 247 Intrinsic Demands 254 Performance Demands 262 Exercises , Games , Techniques Suggested Readings INDEX 277 269 138 186 214 246 279 Preface John Gielgud has said " Style is knowing ...
... Suggested Reading 245 8 ARTAUDIAN THEATRE Background 247 Intrinsic Demands 254 Performance Demands 262 Exercises , Games , Techniques Suggested Readings INDEX 277 269 138 186 214 246 279 Preface John Gielgud has said " Style is knowing ...
38. oldal
... suggested by that position . Let this movement continue until it is well established , and then coach the players to turn it into any simple activity it suggests . For example , a movement of the spine up and down could become digging ...
... suggested by that position . Let this movement continue until it is well established , and then coach the players to turn it into any simple activity it suggests . For example , a movement of the spine up and down could become digging ...
Tartalomjegyzék
PLAYING TRAGEDY | 9 |
SHAKESPEARE | 48 |
PLAYING COMEDY | 99 |
Copyright | |
4 további fejezet nem látható
Gyakori szavak és kifejezések
absurd theatre achieve acter acting action activity actor American Conservatory Theatre Artaud Artaudian theatre attitude audi audience aware Bald Soprano basic Beckett become Bertolt Brecht body Brecht century char character mask character's chorus circle clothing Coach the players comedy of manners comic commedia confrontation costume create dance demands dialectical Dionysus discover drama dynamic Elizabethan emotional ence energy epic epic theatre essential event exercise explore farce feeling focus function gesture give Greek tragedy Harpagon hieroglyph human humor images impulse intensity Ionesco language man's Marxism meaning ment Molière moral move movement nature performance physical play playwright poetic political realistic reality response reveal rhythmical rhythms ritual Royal Shakespeare Company scene sense sensibility sexual Shakespeare's simple situation slapstick social mask society space speech spine spirit stage strong structure style suggested tends theatrical tion truth verbal verse Waiting for Godot words