Acting with Style, 10. kötetPrentice-Hall, 1982 - 292 oldal From preface: This book is aimed at helping the actor discover what kind of play he is in--to identify the stylistic clues--and then come to a physical awareness of how it should be played. |
Részletek a könyvből
1 - 3 találat összesen 81 találatból.
9. oldal
... sensibility to mask , and then to play . In giv- ing the actor a feeling for the sensibility un- derlying style and , through exercises , for how that sensibility may become a physical reality , we have concentrated more on ess- ence ...
... sensibility to mask , and then to play . In giv- ing the actor a feeling for the sensibility un- derlying style and , through exercises , for how that sensibility may become a physical reality , we have concentrated more on ess- ence ...
107. oldal
... sensibility that demands sincerity in all walks of life- spontaneous emotional reaction and display being regarded as superior to all forms of role playing . But as we have seen , sincerity was regarded as a lapse of good taste in the ...
... sensibility that demands sincerity in all walks of life- spontaneous emotional reaction and display being regarded as superior to all forms of role playing . But as we have seen , sincerity was regarded as a lapse of good taste in the ...
111. oldal
... sensibility in clothing and manner . Modern student sensibility is antiestab- lishment or upper - class . The radical inver- sion of social attributes , created in part by the spread of " sincerity , " has made it ob- ligatory to ...
... sensibility in clothing and manner . Modern student sensibility is antiestab- lishment or upper - class . The radical inver- sion of social attributes , created in part by the spread of " sincerity , " has made it ob- ligatory to ...
Tartalomjegyzék
PLAYING TRAGEDY | 9 |
SHAKESPEARE | 48 |
PLAYING COMEDY | 99 |
Copyright | |
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Gyakori szavak és kifejezések
absurd theatre achieve acter acting action activity actor American Conservatory Theatre Artaud Artaudian theatre attitude audi audience aware Bald Soprano basic Beckett become Bertolt Brecht body Brecht century char character mask character's chorus circle clothing Coach the players comedy of manners comic commedia confrontation costume create dance demands dialectical Dionysus discover drama dynamic Elizabethan emotional ence energy epic epic theatre essential event exercise explore farce feeling focus function gesture give Greek tragedy Harpagon hieroglyph human humor images impulse intensity Ionesco language man's Marxism meaning ment Molière moral move movement nature performance physical play playwright poetic political realistic reality response reveal rhythmical rhythms ritual Royal Shakespeare Company scene sense sensibility sexual Shakespeare's simple situation slapstick social mask society space speech spine spirit stage strong structure style suggested tends theatrical tion truth verbal verse Waiting for Godot words