Acting with Style, 10. kötetPrentice-Hall, 1982 - 292 oldal From preface: This book is aimed at helping the actor discover what kind of play he is in--to identify the stylistic clues--and then come to a physical awareness of how it should be played. |
Részletek a könyvből
1 - 3 találat összesen 40 találatból.
14. oldal
... ritual . ) Dionysus was god of fertility , wine , and divine inspiration , and his worshipers spared no means to excite themselves , inspire their imagination , and arouse their senses . The ritual was an intoxicating one : torches at ...
... ritual . ) Dionysus was god of fertility , wine , and divine inspiration , and his worshipers spared no means to excite themselves , inspire their imagination , and arouse their senses . The ritual was an intoxicating one : torches at ...
19. oldal
... ritual basis of tragedy and the shape of the amphitheatre . The parados is a processional part . It takes its name from the entrances on either side of the stage through which the chorus sings its way into the orchestra . The stasismons ...
... ritual basis of tragedy and the shape of the amphitheatre . The parados is a processional part . It takes its name from the entrances on either side of the stage through which the chorus sings its way into the orchestra . The stasismons ...
257. oldal
... ritual whereby space is altered and structured to suit the demands of each par- ticular celebration . Because an ... ritual and theatre is that ritual includes the whole body of participants on a more or less equal level ,. Artaudian ...
... ritual whereby space is altered and structured to suit the demands of each par- ticular celebration . Because an ... ritual and theatre is that ritual includes the whole body of participants on a more or less equal level ,. Artaudian ...
Tartalomjegyzék
PLAYING TRAGEDY | 9 |
SHAKESPEARE | 48 |
PLAYING COMEDY | 99 |
Copyright | |
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Gyakori szavak és kifejezések
absurd theatre achieve acter acting action activity actor American Conservatory Theatre Artaud Artaudian theatre attitude audi audience aware Bald Soprano basic Beckett become Bertolt Brecht body Brecht century char character mask character's chorus circle clothing Coach the players comedy of manners comic commedia confrontation costume create dance demands dialectical Dionysus discover drama dynamic Elizabethan emotional ence energy epic epic theatre essential event exercise explore farce feeling focus function gesture give Greek tragedy Harpagon hieroglyph human humor images impulse intensity Ionesco language man's Marxism meaning ment Molière moral move movement nature performance physical play playwright poetic political realistic reality response reveal rhythmical rhythms ritual Royal Shakespeare Company scene sense sensibility sexual Shakespeare's simple situation slapstick social mask society space speech spine spirit stage strong structure style suggested tends theatrical tion truth verbal verse Waiting for Godot words