Acting with Style, 10. kötetPrentice-Hall, 1982 - 292 oldal From preface: This book is aimed at helping the actor discover what kind of play he is in--to identify the stylistic clues--and then come to a physical awareness of how it should be played. |
Részletek a könyvből
1 - 3 találat összesen 41 találatból.
118. oldal
... reveal through his mask the perspective that leads to laughter rather than tears . What is emphasized is the ex- aggerated nature of the obsession . The total balance of truth is tilted towards the side of comedy , and this ...
... reveal through his mask the perspective that leads to laughter rather than tears . What is emphasized is the ex- aggerated nature of the obsession . The total balance of truth is tilted towards the side of comedy , and this ...
162. oldal
... reveal the truth beneath . As with the commedia masks , it is the difference be- tween what " ought " to be expected of the character - given his age , social position , and so forth - and what " is " to be expected of the character ...
... reveal the truth beneath . As with the commedia masks , it is the difference be- tween what " ought " to be expected of the character - given his age , social position , and so forth - and what " is " to be expected of the character ...
264. oldal
John Harrop, Sabin R. Epstein. must be willing to reveal the truth , even if it is " sinful " and unattractive : I ... revealed . The audience participates in the conflict , agony , death , dismemberment at the deepest possible level ...
John Harrop, Sabin R. Epstein. must be willing to reveal the truth , even if it is " sinful " and unattractive : I ... revealed . The audience participates in the conflict , agony , death , dismemberment at the deepest possible level ...
Tartalomjegyzék
PLAYING TRAGEDY | 9 |
SHAKESPEARE | 48 |
PLAYING COMEDY | 99 |
Copyright | |
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Gyakori szavak és kifejezések
absurd theatre achieve acter acting action activity actor American Conservatory Theatre Artaud Artaudian theatre attitude audi audience aware Bald Soprano basic Beckett become Bertolt Brecht body Brecht century char character mask character's chorus circle clothing Coach the players comedy of manners comic commedia confrontation costume create dance demands dialectical Dionysus discover drama dynamic Elizabethan emotional ence energy epic epic theatre essential event exercise explore farce feeling focus function gesture give Greek tragedy Harpagon hieroglyph human humor images impulse intensity Ionesco language man's Marxism meaning ment Molière moral move movement nature performance physical play playwright poetic political realistic reality response reveal rhythmical rhythms ritual Royal Shakespeare Company scene sense sensibility sexual Shakespeare's simple situation slapstick social mask society space speech spine spirit stage strong structure style suggested tends theatrical tion truth verbal verse Waiting for Godot words