Acting with Style, 10. kötetPrentice-Hall, 1982 - 292 oldal From preface: This book is aimed at helping the actor discover what kind of play he is in--to identify the stylistic clues--and then come to a physical awareness of how it should be played. |
Részletek a könyvből
1 - 3 találat összesen 37 találatból.
49. oldal
... political , economic , and cultural forces at work during Elizabeth's reign . Elizabethan Age . The coming of Elizabeth to the throne brought England a significant degree of political solidity , which was rein- forced by the events of ...
... political , economic , and cultural forces at work during Elizabeth's reign . Elizabethan Age . The coming of Elizabeth to the throne brought England a significant degree of political solidity , which was rein- forced by the events of ...
217. oldal
... political revolt against bourgeois sensibility that was at the root of the artistic avant garde . Brecht accepted the revolutionary sen- sibility of the theatre of his time . He rejected the staple diet of nineteenth - century Ger- man ...
... political revolt against bourgeois sensibility that was at the root of the artistic avant garde . Brecht accepted the revolutionary sen- sibility of the theatre of his time . He rejected the staple diet of nineteenth - century Ger- man ...
218. oldal
... political , and cultural identity . The political intention of Brecht's theatre must , therefore , determine and be dynamically related to its form . More than this , the politically engaged nature of Marxist art ( it must be involved ...
... political , and cultural identity . The political intention of Brecht's theatre must , therefore , determine and be dynamically related to its form . More than this , the politically engaged nature of Marxist art ( it must be involved ...
Tartalomjegyzék
PLAYING TRAGEDY | 9 |
SHAKESPEARE | 48 |
PLAYING COMEDY | 99 |
Copyright | |
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Gyakori szavak és kifejezések
absurd theatre achieve acter acting action activity actor American Conservatory Theatre Artaud Artaudian theatre attitude audi audience aware Bald Soprano basic Beckett become Bertolt Brecht body Brecht century char character mask character's chorus circle clothing Coach the players comedy of manners comic commedia confrontation costume create dance demands dialectical Dionysus discover drama dynamic Elizabethan emotional ence energy epic epic theatre essential event exercise explore farce feeling focus function gesture give Greek tragedy Harpagon hieroglyph human humor images impulse intensity Ionesco language man's Marxism meaning ment Molière moral move movement nature performance physical play playwright poetic political realistic reality response reveal rhythmical rhythms ritual Royal Shakespeare Company scene sense sensibility sexual Shakespeare's simple situation slapstick social mask society space speech spine spirit stage strong structure style suggested tends theatrical tion truth verbal verse Waiting for Godot words