Acting with Style, 10. kötetPrentice-Hall, 1982 - 292 oldal From preface: This book is aimed at helping the actor discover what kind of play he is in--to identify the stylistic clues--and then come to a physical awareness of how it should be played. |
Részletek a könyvből
1 - 3 találat összesen 46 találatból.
23. oldal
... playwright wrote for the mask , that the choice of mask prescribes what is to follow . We have sculpture of Greek playwrights seeking inspiration by gazing at a tragic mask , plus Aristotle's suggestion that the playwright had ...
... playwright wrote for the mask , that the choice of mask prescribes what is to follow . We have sculpture of Greek playwrights seeking inspiration by gazing at a tragic mask , plus Aristotle's suggestion that the playwright had ...
117. oldal
... playwright in selecting , heightening , and exaggerating certain aspects of the social situation . The playwright , while reflecting the manners of a society , is also passing com- ment upon them and taking a particular perspective in ...
... playwright in selecting , heightening , and exaggerating certain aspects of the social situation . The playwright , while reflecting the manners of a society , is also passing com- ment upon them and taking a particular perspective in ...
164. oldal
... playwright has given it . Put simplistical- ly , if the playwright wants him to bump into the furniture , the actor must find various amusing ways of doing this within the reality of his mask . The actor needs to dis- cover what the ...
... playwright has given it . Put simplistical- ly , if the playwright wants him to bump into the furniture , the actor must find various amusing ways of doing this within the reality of his mask . The actor needs to dis- cover what the ...
Tartalomjegyzék
PLAYING TRAGEDY | 9 |
SHAKESPEARE | 48 |
PLAYING COMEDY | 99 |
Copyright | |
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Gyakori szavak és kifejezések
absurd theatre achieve acter acting action activity actor American Conservatory Theatre Artaud Artaudian theatre attitude audi audience aware Bald Soprano basic Beckett become Bertolt Brecht body Brecht century char character mask character's chorus circle clothing Coach the players comedy of manners comic commedia confrontation costume create dance demands dialectical Dionysus discover drama dynamic Elizabethan emotional ence energy epic epic theatre essential event exercise explore farce feeling focus function gesture give Greek tragedy Harpagon hieroglyph human humor images impulse intensity Ionesco language man's Marxism meaning ment Molière moral move movement nature performance physical play playwright poetic political realistic reality response reveal rhythmical rhythms ritual Royal Shakespeare Company scene sense sensibility sexual Shakespeare's simple situation slapstick social mask society space speech spine spirit stage strong structure style suggested tends theatrical tion truth verbal verse Waiting for Godot words