Acting with Style, 10. kötetPrentice-Hall, 1982 - 292 oldal From preface: This book is aimed at helping the actor discover what kind of play he is in--to identify the stylistic clues--and then come to a physical awareness of how it should be played. |
Részletek a könyvből
1 - 3 találat összesen 39 találatból.
213. oldal
... person ; to relate silently ; to find ways to help each other pass the time . Players will rub each other's backs , massage feet , pick lint off each other , play leapfrog . Coach again for hunger , solitude , emptiness , now letting ...
... person ; to relate silently ; to find ways to help each other pass the time . Players will rub each other's backs , massage feet , pick lint off each other , play leapfrog . Coach again for hunger , solitude , emptiness , now letting ...
223. oldal
... person who will give them shelter is the local prostitute Shen Te - an immediate assertion of true goodness being found in a woman regarded as " bad " by society's morality . The play then goes on to explore the dialectic between the ...
... person who will give them shelter is the local prostitute Shen Te - an immediate assertion of true goodness being found in a woman regarded as " bad " by society's morality . The play then goes on to explore the dialectic between the ...
241. oldal
... person alienation technique and add a comment upon the action - the kind of critical comment that the gestus should convey : " He stood up weakly , as , due to the soldiers taking the food , he had not eaten for three days , and ...
... person alienation technique and add a comment upon the action - the kind of critical comment that the gestus should convey : " He stood up weakly , as , due to the soldiers taking the food , he had not eaten for three days , and ...
Tartalomjegyzék
PLAYING TRAGEDY | 9 |
SHAKESPEARE | 48 |
PLAYING COMEDY | 99 |
Copyright | |
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Gyakori szavak és kifejezések
absurd theatre achieve acter acting action activity actor American Conservatory Theatre Artaud Artaudian theatre attitude audi audience aware Bald Soprano basic Beckett become Bertolt Brecht body Brecht century char character mask character's chorus circle clothing Coach the players comedy of manners comic commedia confrontation costume create dance demands dialectical Dionysus discover drama dynamic Elizabethan emotional ence energy epic epic theatre essential event exercise explore farce feeling focus function gesture give Greek tragedy Harpagon hieroglyph human humor images impulse intensity Ionesco language man's Marxism meaning ment Molière moral move movement nature performance physical play playwright poetic political realistic reality response reveal rhythmical rhythms ritual Royal Shakespeare Company scene sense sensibility sexual Shakespeare's simple situation slapstick social mask society space speech spine spirit stage strong structure style suggested tends theatrical tion truth verbal verse Waiting for Godot words