Acting with Style, 10. kötetPrentice-Hall, 1982 - 292 oldal From preface: This book is aimed at helping the actor discover what kind of play he is in--to identify the stylistic clues--and then come to a physical awareness of how it should be played. |
Részletek a könyvből
1 - 3 találat összesen 85 találatból.
101. oldal
... manner of each group differed , adapting to the different physical environments of changing times , the inner attitudes and sense of values underly- ing that manner remained remarkably sim- ilar . Once understood , this sensibility is a ...
... manner of each group differed , adapting to the different physical environments of changing times , the inner attitudes and sense of values underly- ing that manner remained remarkably sim- ilar . Once understood , this sensibility is a ...
131. oldal
... manner and adapt it to the nature of his character . There is all the difference in the world between as- similating a strange manner and adopting a superficial artifice . All the social airs and graces may be played with to illustrate ...
... manner and adapt it to the nature of his character . There is all the difference in the world between as- similating a strange manner and adopting a superficial artifice . All the social airs and graces may be played with to illustrate ...
134. oldal
... manner , but with it show a particular feeling towards the person addressed , such as respect , distaste , love , or boredom . An extension of the exercise is to choose a particular physical setting - park , court , theatre - and have a ...
... manner , but with it show a particular feeling towards the person addressed , such as respect , distaste , love , or boredom . An extension of the exercise is to choose a particular physical setting - park , court , theatre - and have a ...
Tartalomjegyzék
PLAYING TRAGEDY | 9 |
SHAKESPEARE | 48 |
PLAYING COMEDY | 99 |
Copyright | |
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Gyakori szavak és kifejezések
absurd theatre achieve acter acting action activity actor American Conservatory Theatre Artaud Artaudian theatre attitude audi audience aware Bald Soprano basic Beckett become Bertolt Brecht body Brecht century char character mask character's chorus circle clothing Coach the players comedy of manners comic commedia confrontation costume create dance demands dialectical Dionysus discover drama dynamic Elizabethan emotional ence energy epic epic theatre essential event exercise explore farce feeling focus function gesture give Greek tragedy Harpagon hieroglyph human humor images impulse intensity Ionesco language man's Marxism meaning ment Molière moral move movement nature performance physical play playwright poetic political realistic reality response reveal rhythmical rhythms ritual Royal Shakespeare Company scene sense sensibility sexual Shakespeare's simple situation slapstick social mask society space speech spine spirit stage strong structure style suggested tends theatrical tion truth verbal verse Waiting for Godot words