Acting with Style, 10. kötetPrentice-Hall, 1982 - 292 oldal From preface: This book is aimed at helping the actor discover what kind of play he is in--to identify the stylistic clues--and then come to a physical awareness of how it should be played. |
Részletek a könyvből
1 - 3 találat összesen 17 találatból.
203. oldal
... Intensity of effort , followed by intensity of stillness , produces compression and fu- tility . Concentration makes time appear to stand still , to become a concrete quality , to weigh down upon character and audience alike . Bursts of ...
... Intensity of effort , followed by intensity of stillness , produces compression and fu- tility . Concentration makes time appear to stand still , to become a concrete quality , to weigh down upon character and audience alike . Bursts of ...
260. oldal
... intensity of playing . It is this intense quality of communication , not the nature of the act , that creates the im- pact of cruelty . There is no contradiction between objectivity of image and intensity of impression . Watch a ...
... intensity of playing . It is this intense quality of communication , not the nature of the act , that creates the im- pact of cruelty . There is no contradiction between objectivity of image and intensity of impression . Watch a ...
266. oldal
... intensity demanded of the Artaudian actor , it has the potency of " cruelty " in its impact . Discovery through the body is the method of the Artaudian actor . Through the process of via negativa all that is unnecessary is strip- ped ...
... intensity demanded of the Artaudian actor , it has the potency of " cruelty " in its impact . Discovery through the body is the method of the Artaudian actor . Through the process of via negativa all that is unnecessary is strip- ped ...
Tartalomjegyzék
PLAYING TRAGEDY | 9 |
SHAKESPEARE | 48 |
PLAYING COMEDY | 99 |
Copyright | |
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Gyakori szavak és kifejezések
absurd theatre achieve acter acting action activity actor American Conservatory Theatre Artaud Artaudian theatre attitude audi audience aware Bald Soprano basic Beckett become Bertolt Brecht body Brecht century char character mask character's chorus circle clothing Coach the players comedy of manners comic commedia confrontation costume create dance demands dialectical Dionysus discover drama dynamic Elizabethan emotional ence energy epic epic theatre essential event exercise explore farce feeling focus function gesture give Greek tragedy Harpagon hieroglyph human humor images impulse intensity Ionesco language man's Marxism meaning ment Molière moral move movement nature performance physical play playwright poetic political realistic reality response reveal rhythmical rhythms ritual Royal Shakespeare Company scene sense sensibility sexual Shakespeare's simple situation slapstick social mask society space speech spine spirit stage strong structure style suggested tends theatrical tion truth verbal verse Waiting for Godot words