Acting with Style, 10. kötetPrentice-Hall, 1982 - 292 oldal From preface: This book is aimed at helping the actor discover what kind of play he is in--to identify the stylistic clues--and then come to a physical awareness of how it should be played. |
Részletek a könyvből
1 - 3 találat összesen 55 találatból.
3. oldal
... idea , it may be an image ; it may derive from pure imagina- tion , or , as is the presumption of this book , it will be the actor's response to a play text . An impulse is a movement towards action : if an actor wants to communicate ...
... idea , it may be an image ; it may derive from pure imagina- tion , or , as is the presumption of this book , it will be the actor's response to a play text . An impulse is a movement towards action : if an actor wants to communicate ...
191. oldal
... idea that truth was endlessly relative , and character endlessly unknow- able . This essentially existentialist idea was also the basis for the plays of Jean - Paul Sartre and Albert Camus , who in the 1940s propounded the tenets of ...
... idea that truth was endlessly relative , and character endlessly unknow- able . This essentially existentialist idea was also the basis for the plays of Jean - Paul Sartre and Albert Camus , who in the 1940s propounded the tenets of ...
254. oldal
... ideas that concern the partici- pants . The Open Theatre developed their Terminal from an exploration of the concept of death . Conversely , their Serpent evolved from an interest in the idea of original crea- tion and original sin ...
... ideas that concern the partici- pants . The Open Theatre developed their Terminal from an exploration of the concept of death . Conversely , their Serpent evolved from an interest in the idea of original crea- tion and original sin ...
Tartalomjegyzék
PLAYING TRAGEDY | 9 |
SHAKESPEARE | 48 |
PLAYING COMEDY | 99 |
Copyright | |
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Gyakori szavak és kifejezések
absurd theatre achieve acter acting action activity actor American Conservatory Theatre Artaud Artaudian theatre attitude audi audience aware Bald Soprano basic Beckett become Bertolt Brecht body Brecht century char character mask character's chorus circle clothing Coach the players comedy of manners comic commedia confrontation costume create dance demands dialectical Dionysus discover drama dynamic Elizabethan emotional ence energy epic epic theatre essential event exercise explore farce feeling focus function gesture give Greek tragedy Harpagon hieroglyph human humor images impulse intensity Ionesco language man's Marxism meaning ment Molière moral move movement nature performance physical play playwright poetic political realistic reality response reveal rhythmical rhythms ritual Royal Shakespeare Company scene sense sensibility sexual Shakespeare's simple situation slapstick social mask society space speech spine spirit stage strong structure style suggested tends theatrical tion truth verbal verse Waiting for Godot words