Acting with Style, 10. kötetPrentice-Hall, 1982 - 292 oldal From preface: This book is aimed at helping the actor discover what kind of play he is in--to identify the stylistic clues--and then come to a physical awareness of how it should be played. |
Részletek a könyvből
1 - 3 találat összesen 46 találatból.
8. oldal
... head , roll each part of the body in turn . After the head , which should be dropped as far back and to each side as possible , roll each shoulder forward , up towards the ear , back , and down , and then do the same with the elbow and ...
... head , roll each part of the body in turn . After the head , which should be dropped as far back and to each side as possible , roll each shoulder forward , up towards the ear , back , and down , and then do the same with the elbow and ...
49. oldal
... head of both state and church , was no longer in political or moral fee to any foreign power . This was , of course , a disrup- tion of the medieval sense of a hierarchical religious order based on the concept of the chain of being ...
... head of both state and church , was no longer in political or moral fee to any foreign power . This was , of course , a disrup- tion of the medieval sense of a hierarchical religious order based on the concept of the chain of being ...
270. oldal
... head resting on folded arms . Breathe in , lift the head , and curve the spine into the yoga cobra position . From the cobra lift the pelvis into the air , forming the high point of a triangle with hands on the floor , heels on the ...
... head resting on folded arms . Breathe in , lift the head , and curve the spine into the yoga cobra position . From the cobra lift the pelvis into the air , forming the high point of a triangle with hands on the floor , heels on the ...
Tartalomjegyzék
PLAYING TRAGEDY | 9 |
SHAKESPEARE | 48 |
PLAYING COMEDY | 99 |
Copyright | |
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Gyakori szavak és kifejezések
absurd theatre achieve acter acting action activity actor American Conservatory Theatre Artaud Artaudian theatre attitude audi audience aware Bald Soprano basic Beckett become Bertolt Brecht body Brecht century char character mask character's chorus circle clothing Coach the players comedy of manners comic commedia confrontation costume create dance demands dialectical Dionysus discover drama dynamic Elizabethan emotional ence energy epic epic theatre essential event exercise explore farce feeling focus function gesture give Greek tragedy Harpagon hieroglyph human humor images impulse intensity Ionesco language man's Marxism meaning ment Molière moral move movement nature performance physical play playwright poetic political realistic reality response reveal rhythmical rhythms ritual Royal Shakespeare Company scene sense sensibility sexual Shakespeare's simple situation slapstick social mask society space speech spine spirit stage strong structure style suggested tends theatrical tion truth verbal verse Waiting for Godot words