Acting with Style, 10. kötetPrentice-Hall, 1982 - 292 oldal From preface: This book is aimed at helping the actor discover what kind of play he is in--to identify the stylistic clues--and then come to a physical awareness of how it should be played. |
Részletek a könyvből
1 - 3 találat összesen 74 találatból.
3. oldal
... given circumstances , determines the shape of the actor's physical choices and the form and sensibility of the event . What are the given circumstances that catalyze the impulse and shape the style ? Most actors are familiar with the ...
... given circumstances , determines the shape of the actor's physical choices and the form and sensibility of the event . What are the given circumstances that catalyze the impulse and shape the style ? Most actors are familiar with the ...
7. oldal
... given circumstances that are the clues to the way in which the actor plays the style . OUTLINE In each chapter of this book the actor is given an understanding of the intrinsic de- mands of a style , and then shown how those intrinsic ...
... given circumstances that are the clues to the way in which the actor plays the style . OUTLINE In each chapter of this book the actor is given an understanding of the intrinsic de- mands of a style , and then shown how those intrinsic ...
35. oldal
... given to him rather than those of his own invention outside the play . When he approaches the mask of the messenger , the actor has the given circumstances of the situation : he knows where he is , who he is , and whom he is addressing ...
... given to him rather than those of his own invention outside the play . When he approaches the mask of the messenger , the actor has the given circumstances of the situation : he knows where he is , who he is , and whom he is addressing ...
Tartalomjegyzék
PLAYING TRAGEDY | 9 |
SHAKESPEARE | 48 |
PLAYING COMEDY | 99 |
Copyright | |
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Gyakori szavak és kifejezések
absurd theatre achieve acter acting action activity actor American Conservatory Theatre Artaud Artaudian theatre attitude audi audience aware Bald Soprano basic Beckett become Bertolt Brecht body Brecht century char character mask character's chorus circle clothing Coach the players comedy of manners comic commedia confrontation costume create dance demands dialectical Dionysus discover drama dynamic Elizabethan emotional ence energy epic epic theatre essential event exercise explore farce feeling focus function gesture give Greek tragedy Harpagon hieroglyph human humor images impulse intensity Ionesco language man's Marxism meaning ment Molière moral move movement nature performance physical play playwright poetic political realistic reality response reveal rhythmical rhythms ritual Royal Shakespeare Company scene sense sensibility sexual Shakespeare's simple situation slapstick social mask society space speech spine spirit stage strong structure style suggested tends theatrical tion truth verbal verse Waiting for Godot words