Acting with Style, 10. kötetPrentice-Hall, 1982 - 292 oldal From preface: This book is aimed at helping the actor discover what kind of play he is in--to identify the stylistic clues--and then come to a physical awareness of how it should be played. |
Részletek a könyvből
1 - 3 találat összesen 64 találatból.
28. oldal
... gestures communicate emotional states and advance the action rather than detailing a character's personality . If gesture is highly selective , it can still be varied . One of the demands upon the actor's imagination is to discover ...
... gestures communicate emotional states and advance the action rather than detailing a character's personality . If gesture is highly selective , it can still be varied . One of the demands upon the actor's imagination is to discover ...
41. oldal
... gesture exercise , having the players discover strong physical gestures that com- municate the essential quality of the images . Have them gradually build up the momen- tum and rhythms of the gestures until a dancelike movement has ...
... gesture exercise , having the players discover strong physical gestures that com- municate the essential quality of the images . Have them gradually build up the momen- tum and rhythms of the gestures until a dancelike movement has ...
76. oldal
... gestures were used , they would become a part of the actor's own reality . They would be made dramatic by actors - who were not preachers or speech- makers but performers . That Shakespeare's players did use gesture and physical activ ...
... gestures were used , they would become a part of the actor's own reality . They would be made dramatic by actors - who were not preachers or speech- makers but performers . That Shakespeare's players did use gesture and physical activ ...
Tartalomjegyzék
PLAYING TRAGEDY | 9 |
SHAKESPEARE | 48 |
PLAYING COMEDY | 99 |
Copyright | |
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Gyakori szavak és kifejezések
absurd theatre achieve acter acting action activity actor American Conservatory Theatre Artaud Artaudian theatre attitude audi audience aware Bald Soprano basic Beckett become Bertolt Brecht body Brecht century char character mask character's chorus circle clothing Coach the players comedy of manners comic commedia confrontation costume create dance demands dialectical Dionysus discover drama dynamic Elizabethan emotional ence energy epic epic theatre essential event exercise explore farce feeling focus function gesture give Greek tragedy Harpagon hieroglyph human humor images impulse intensity Ionesco language man's Marxism meaning ment Molière moral move movement nature performance physical play playwright poetic political realistic reality response reveal rhythmical rhythms ritual Royal Shakespeare Company scene sense sensibility sexual Shakespeare's simple situation slapstick social mask society space speech spine spirit stage strong structure style suggested tends theatrical tion truth verbal verse Waiting for Godot words