Acting with Style, 10. kötetPrentice-Hall, 1982 - 292 oldal From preface: This book is aimed at helping the actor discover what kind of play he is in--to identify the stylistic clues--and then come to a physical awareness of how it should be played. |
Részletek a könyvből
1 - 3 találat összesen 48 találatból.
191. oldal
... experience of the absurd con- dition of man : the theatre of the absurd showed man as having no large purposes in life . Habit and material possessions limit his freedom ; the inadequacy of language pre- vents communication of inner ...
... experience of the absurd con- dition of man : the theatre of the absurd showed man as having no large purposes in life . Habit and material possessions limit his freedom ; the inadequacy of language pre- vents communication of inner ...
209. oldal
... experience that both defies and is reduced by analysis . It is challenging and liberating , bringing the au- dience face to face with its fears , its false hopes , its very existence , in order to produce a new , deeper sense of reality ...
... experience that both defies and is reduced by analysis . It is challenging and liberating , bringing the au- dience face to face with its fears , its false hopes , its very existence , in order to produce a new , deeper sense of reality ...
220. oldal
... experience suggestion instinctive feelings preserved spectator shares the experience . human being is taken for granted he is unalterable eyes on the finish one scene makes another growth linear development evolutionary determinism man ...
... experience suggestion instinctive feelings preserved spectator shares the experience . human being is taken for granted he is unalterable eyes on the finish one scene makes another growth linear development evolutionary determinism man ...
Tartalomjegyzék
PLAYING TRAGEDY | 9 |
SHAKESPEARE | 48 |
PLAYING COMEDY | 99 |
Copyright | |
4 további fejezet nem látható
Gyakori szavak és kifejezések
absurd theatre achieve acter acting action activity actor American Conservatory Theatre Artaud Artaudian theatre attitude audi audience aware Bald Soprano basic Beckett become Bertolt Brecht body Brecht century char character mask character's chorus circle clothing Coach the players comedy of manners comic commedia confrontation costume create dance demands dialectical Dionysus discover drama dynamic Elizabethan emotional ence energy epic epic theatre essential event exercise explore farce feeling focus function gesture give Greek tragedy Harpagon hieroglyph human humor images impulse intensity Ionesco language man's Marxism meaning ment Molière moral move movement nature performance physical play playwright poetic political realistic reality response reveal rhythmical rhythms ritual Royal Shakespeare Company scene sense sensibility sexual Shakespeare's simple situation slapstick social mask society space speech spine spirit stage strong structure style suggested tends theatrical tion truth verbal verse Waiting for Godot words