Acting with Style, 10. kötetPrentice-Hall, 1982 - 292 oldal From preface: This book is aimed at helping the actor discover what kind of play he is in--to identify the stylistic clues--and then come to a physical awareness of how it should be played. |
Részletek a könyvből
1 - 3 találat összesen 71 találatból.
287. oldal
... ( exercise ) , 209-10 Leg , male in aristocratic stance , 123 , 124 in Elizabethan Age , 69 , 72-73 Lehrstücke , Brechtian , 230 , 231 Le neant ( void ) , 189 , 191 , 217 Lesson , The ( Ionesco ) , 192 Lewis , Robert , 79 Lighting of ...
... ( exercise ) , 209-10 Leg , male in aristocratic stance , 123 , 124 in Elizabethan Age , 69 , 72-73 Lehrstücke , Brechtian , 230 , 231 Le neant ( void ) , 189 , 191 , 217 Lesson , The ( Ionesco ) , 192 Lewis , Robert , 79 Lighting of ...
288. oldal
... ( exercise ) , 133-34 Open - air performances of Elizabethan theatre , 57 of Greek theatre , 57 Open Theatre , 253 , 272 , 277 Serpent , 254 , 260 Terminal , 254 Operatic scene ( exercise ) , 41-42 Operhaus ( Bayreuth ) , 114 Orchestra ...
... ( exercise ) , 133-34 Open - air performances of Elizabethan theatre , 57 of Greek theatre , 57 Open Theatre , 253 , 272 , 277 Serpent , 254 , 260 Terminal , 254 Operatic scene ( exercise ) , 41-42 Operhaus ( Bayreuth ) , 114 Orchestra ...
290. oldal
... ( exercise ) , 210-11 Sitting by aristocracy , 123 , 124 , 126 in Elizabethan Age , 72-73 by youth today , 124 Sixty - second commercial ( exercise ) , 276-77 Skipping ( exercise ) , 180 Slap in the bucket ( game ) , 178 Slap on the back ...
... ( exercise ) , 210-11 Sitting by aristocracy , 123 , 124 , 126 in Elizabethan Age , 72-73 by youth today , 124 Sixty - second commercial ( exercise ) , 276-77 Skipping ( exercise ) , 180 Slap in the bucket ( game ) , 178 Slap on the back ...
Tartalomjegyzék
PLAYING TRAGEDY | 9 |
SHAKESPEARE | 48 |
PLAYING COMEDY | 99 |
Copyright | |
4 további fejezet nem látható
Gyakori szavak és kifejezések
absurd theatre achieve acter acting action activity actor American Conservatory Theatre Artaud Artaudian theatre attitude audi audience aware Bald Soprano basic Beckett become Bertolt Brecht body Brecht century char character mask character's chorus circle clothing Coach the players comedy of manners comic commedia confrontation costume create dance demands dialectical Dionysus discover drama dynamic Elizabethan emotional ence energy epic epic theatre essential event exercise explore farce feeling focus function gesture give Greek tragedy Harpagon hieroglyph human humor images impulse intensity Ionesco language man's Marxism meaning ment Molière moral move movement nature performance physical play playwright poetic political realistic reality response reveal rhythmical rhythms ritual Royal Shakespeare Company scene sense sensibility sexual Shakespeare's simple situation slapstick social mask society space speech spine spirit stage strong structure style suggested tends theatrical tion truth verbal verse Waiting for Godot words