Acting with Style, 10. kötetPrentice-Hall, 1982 - 292 oldal From preface: This book is aimed at helping the actor discover what kind of play he is in--to identify the stylistic clues--and then come to a physical awareness of how it should be played. |
Részletek a könyvből
1 - 3 találat összesen 51 találatból.
21. oldal
... Costume . The costume of Greek tragedy reflects the magnitude and elevation of its space , form , and language . Iris Brooke tells us that " at the time when Greek drama was at its finest the costume was also at its most decorative and ...
... Costume . The costume of Greek tragedy reflects the magnitude and elevation of its space , form , and language . Iris Brooke tells us that " at the time when Greek drama was at its finest the costume was also at its most decorative and ...
68. oldal
... Costume . Such evidence as we have from sketches , contemporary references to per- formance , and the plays themselves suggests that the Elizabethan actor was the " glass of fashion , " wearing clothes from the every- day wardrobe of ...
... Costume . Such evidence as we have from sketches , contemporary references to per- formance , and the plays themselves suggests that the Elizabethan actor was the " glass of fashion , " wearing clothes from the every- day wardrobe of ...
199. oldal
... Costume . Costume reinforces the mask . Obviously all costuming says something about the character wearing it , but the nature of character in absurd theatre means that costume defines not so much the individual as what the character ...
... Costume . Costume reinforces the mask . Obviously all costuming says something about the character wearing it , but the nature of character in absurd theatre means that costume defines not so much the individual as what the character ...
Tartalomjegyzék
PLAYING TRAGEDY | 9 |
SHAKESPEARE | 48 |
PLAYING COMEDY | 99 |
Copyright | |
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Gyakori szavak és kifejezések
absurd theatre achieve acter acting action activity actor American Conservatory Theatre Artaud Artaudian theatre attitude audi audience aware Bald Soprano basic Beckett become Bertolt Brecht body Brecht century char character mask character's chorus circle clothing Coach the players comedy of manners comic commedia confrontation costume create dance demands dialectical Dionysus discover drama dynamic Elizabethan emotional ence energy epic epic theatre essential event exercise explore farce feeling focus function gesture give Greek tragedy Harpagon hieroglyph human humor images impulse intensity Ionesco language man's Marxism meaning ment Molière moral move movement nature performance physical play playwright poetic political realistic reality response reveal rhythmical rhythms ritual Royal Shakespeare Company scene sense sensibility sexual Shakespeare's simple situation slapstick social mask society space speech spine spirit stage strong structure style suggested tends theatrical tion truth verbal verse Waiting for Godot words