Acting with Style, 10. kötetPrentice-Hall, 1982 - 292 oldal From preface: This book is aimed at helping the actor discover what kind of play he is in--to identify the stylistic clues--and then come to a physical awareness of how it should be played. |
Részletek a könyvből
1 - 3 találat összesen 40 találatból.
163. oldal
... communicate tends to break down . This shatters another social mask , for we use speech as much to conceal our real intentions as to reveal them . We use it as a mask of meaning . Under pressure the logic of speech disintegrates , and ...
... communicate tends to break down . This shatters another social mask , for we use speech as much to conceal our real intentions as to reveal them . We use it as a mask of meaning . Under pressure the logic of speech disintegrates , and ...
193. oldal
... communicate their experi- ence of existence . The plays tend to be many- layered poetic images that have to be ... communicates the lack of on- tological meaning in life . The approach to language in absurd theatre both reinforces that ...
... communicate their experi- ence of existence . The plays tend to be many- layered poetic images that have to be ... communicates the lack of on- tological meaning in life . The approach to language in absurd theatre both reinforces that ...
205. oldal
... communicate and its obvious lack of real meaning . Rhythms and patterns of lan- guage are used gesturally and to ... communicates this experience to the audience . This is done partly through the agency of the characters , but it is not ...
... communicate and its obvious lack of real meaning . Rhythms and patterns of lan- guage are used gesturally and to ... communicates this experience to the audience . This is done partly through the agency of the characters , but it is not ...
Tartalomjegyzék
PLAYING TRAGEDY | 9 |
SHAKESPEARE | 48 |
PLAYING COMEDY | 99 |
Copyright | |
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Gyakori szavak és kifejezések
absurd theatre achieve acter acting action activity actor American Conservatory Theatre Artaud Artaudian theatre attitude audi audience aware Bald Soprano basic Beckett become Bertolt Brecht body Brecht century char character mask character's chorus circle clothing Coach the players comedy of manners comic commedia confrontation costume create dance demands dialectical Dionysus discover drama dynamic Elizabethan emotional ence energy epic epic theatre essential event exercise explore farce feeling focus function gesture give Greek tragedy Harpagon hieroglyph human humor images impulse intensity Ionesco language man's Marxism meaning ment Molière moral move movement nature performance physical play playwright poetic political realistic reality response reveal rhythmical rhythms ritual Royal Shakespeare Company scene sense sensibility sexual Shakespeare's simple situation slapstick social mask society space speech spine spirit stage strong structure style suggested tends theatrical tion truth verbal verse Waiting for Godot words