Acting with Style, 10. kötetPrentice-Hall, 1982 - 292 oldal From preface: This book is aimed at helping the actor discover what kind of play he is in--to identify the stylistic clues--and then come to a physical awareness of how it should be played. |
Részletek a könyvből
1 - 3 találat összesen 74 találatból.
99. oldal
John Harrop, Sabin R. Epstein. part PLAYING COMEDY Comedy does not concern itself with the grand passions , with metaphysical ab- solutes , with man in strife with gods , but rather with the detail of everyday exist- ence : man in ...
John Harrop, Sabin R. Epstein. part PLAYING COMEDY Comedy does not concern itself with the grand passions , with metaphysical ab- solutes , with man in strife with gods , but rather with the detail of everyday exist- ence : man in ...
101. oldal
... comedy of manners finds its most complete expression in the court- oriented Restoration theatre of Charles II . From 1649 to 1660 , during the period of the Commonwealth , theatre had been banned in England as subversive to good moral ...
... comedy of manners finds its most complete expression in the court- oriented Restoration theatre of Charles II . From 1649 to 1660 , during the period of the Commonwealth , theatre had been banned in England as subversive to good moral ...
118. oldal
... comedy , and this disproportion becomes the new truth , the comic reality of the event - the mask . The actor shares this truth with the audience , plays with them within his mask . Both are aware of its exaggeration , that it contains ...
... comedy , and this disproportion becomes the new truth , the comic reality of the event - the mask . The actor shares this truth with the audience , plays with them within his mask . Both are aware of its exaggeration , that it contains ...
Tartalomjegyzék
PLAYING TRAGEDY | 9 |
SHAKESPEARE | 48 |
PLAYING COMEDY | 99 |
Copyright | |
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Gyakori szavak és kifejezések
absurd theatre achieve acter acting action activity actor American Conservatory Theatre Artaud Artaudian theatre attitude audi audience aware Bald Soprano basic Beckett become Bertolt Brecht body Brecht century char character mask character's chorus circle clothing Coach the players comedy of manners comic commedia confrontation costume create dance demands dialectical Dionysus discover drama dynamic Elizabethan emotional ence energy epic epic theatre essential event exercise explore farce feeling focus function gesture give Greek tragedy Harpagon hieroglyph human humor images impulse intensity Ionesco language man's Marxism meaning ment Molière moral move movement nature performance physical play playwright poetic political realistic reality response reveal rhythmical rhythms ritual Royal Shakespeare Company scene sense sensibility sexual Shakespeare's simple situation slapstick social mask society space speech spine spirit stage strong structure style suggested tends theatrical tion truth verbal verse Waiting for Godot words