Acting with Style, 10. kötetPrentice-Hall, 1982 - 292 oldal From preface: This book is aimed at helping the actor discover what kind of play he is in--to identify the stylistic clues--and then come to a physical awareness of how it should be played. |
Részletek a könyvből
1 - 3 találat összesen 81 találatból.
102. oldal
... century costume with a twentieth - century manner . To avoid this , the actor needs an ap- preciation of the sensibility of the time that used a particular costume as part of the social mask of its wearers . Such appreciation will be ...
... century costume with a twentieth - century manner . To avoid this , the actor needs an ap- preciation of the sensibility of the time that used a particular costume as part of the social mask of its wearers . Such appreciation will be ...
121. oldal
... century . By the late nineteenth century , though , those who partook of the sensibility and most strongly reinforced its rituals were likely to be the grandsons and grand- daughters of successful Victorian entrepre- neurs born , as ...
... century . By the late nineteenth century , though , those who partook of the sensibility and most strongly reinforced its rituals were likely to be the grandsons and grand- daughters of successful Victorian entrepre- neurs born , as ...
128. oldal
... Century Bow . The hat is swept off with the right hand and transferred to the left . The right foot slides forward a step , feet turned out , both legs straight . The body in- clines forward from the waist , spine and neck straight ...
... Century Bow . The hat is swept off with the right hand and transferred to the left . The right foot slides forward a step , feet turned out , both legs straight . The body in- clines forward from the waist , spine and neck straight ...
Tartalomjegyzék
PLAYING TRAGEDY | 9 |
SHAKESPEARE | 48 |
PLAYING COMEDY | 99 |
Copyright | |
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Gyakori szavak és kifejezések
absurd theatre achieve acter acting action activity actor American Conservatory Theatre Artaud Artaudian theatre attitude audi audience aware Bald Soprano basic Beckett become Bertolt Brecht body Brecht century char character mask character's chorus circle clothing Coach the players comedy of manners comic commedia confrontation costume create dance demands dialectical Dionysus discover drama dynamic Elizabethan emotional ence energy epic epic theatre essential event exercise explore farce feeling focus function gesture give Greek tragedy Harpagon hieroglyph human humor images impulse intensity Ionesco language man's Marxism meaning ment Molière moral move movement nature performance physical play playwright poetic political realistic reality response reveal rhythmical rhythms ritual Royal Shakespeare Company scene sense sensibility sexual Shakespeare's simple situation slapstick social mask society space speech spine spirit stage strong structure style suggested tends theatrical tion truth verbal verse Waiting for Godot words